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12"Activate"Junya SanetoshiYamato HaijimaTetsuji NakamuraDecember 23, 2023 (2023-12-23) Andy and Fuuko use their abilities to make it past the guards and get to the cargo hold of the ship. Meanwhile, the auctioned Negator, a young boy with the Unmove ability named Chikara, attempts to escape in the chaos but is confronted by Rip, who has the Unrepair ability. Andy and Fuuko soon arrive and are assisted by Tatiana, who fights Rip's allies. Rip tries to convince Andy and Fuuko to join him but both refuse. Rip states that he
will kill Chikara so his ability will be transferred to a better person because he thinks Chikara is too cowardly to join. Fuuko gets injured by Rip after she jumps in front of a blade to defend Chikara. Rip then flees as more guards show up. As the guards shoot, Chikara uses his ability to stop the bullets and the guards. 13"Tatiana"
(Russian: Татьяна)Shinji NagataYamato HaijimaShinji Nagata, Tatsuya Kyōgoku
& Mamoru KurosawaJanuary 6, 2024 (2024-01-06)[e] Tatiana fights against Rip's allies, Creed and Fang. Andy informs her that Fuuko was injured by Rip and only has an hour
before she bleeds out. Tatiana tells Andy to take Fuuko and Chikara to the top deck.
She seemingly disappears after going to the bathroom. Satoru then notices a truck belonging to Yuuki's family leaving the scene and he asks Yashiro to follow it in his car. Along the way, Yashiro reveals himself to be the killer and that he realized that Satoru was the one thwarting his plans. He explains that he used Misato as bait to lure Satoru into the stolen car, which he then rolls into a frozen lake with Satoru trapped inside. 11"Future"
Transliteration: "Mirai" (Japanese: 未来)Makoto HoshinoTaku KishimotoMarch 18, 2016 (2016-03-18)[50]
Following Yashiro's attempt to kill him, Satoru wakes up in the year 2003 after spending fifteen years in a coma. His body continued to grow and his mother cared for him daily. However, he has lost his memories of past events. Satoru is visited by Kenya and Hiromi, as
well as Kayo, who has become Hiromi's wife and mother to their infant son who is given the feminine name Mirai ("future"). Some of Satoru's memories begin to return due to his friends' visits. Later, he meets a leukemia patient named Kumi, who is about to undergo surgery, as well as Yashiro himself, who changed his name to Nishizono and became a politician. Two days before Kumi's surgery, Yashiro takes Satoru to the hospital's rooftop, where he confirms Yashiro's suspicions that he has regained his memories.
[8] He described the process of discussing plot concepts with Watanabe and building upon voiced ideas, treating his own contributions like sample discs that might be accepted or rejected. [40] The script meetings were unusually long, beginning with the synopsis and ending up with the final form, alongside off-topic conversation that was sometimes incorporated into that
episode's plot. [8] Due to Watanabe's reputation and the success of his projects in the West, the anime was created with a Western audience in mind with the expectation that it would be more successful outside Japan. This resulted in more overt references to Western culture being included. [41] An assassin character who appeared in the second episode was intended to appear during the finale, but he was cut due to time constraints and a general lack of people remembering his earlier appearance. [5] Nakazawa had trouble getting a feel for the characters, with Mugen's design still going through adjustments when production on the first episode began. For the animation of Mugen's fighting style, the team used gymnastic footage as a reference alongside incorporating breakdancing moves. For Jin, Nakazawa "ignored all of the conventions" for sword fighting and kept his fighting style inconsistent throughout the series, basing his
reactions and tactics on combat sports. He broke animation conventions to make these techniques work, confusing the animation team. For his work as art director after joining during production of the first episode, Waki was instructed to create extremes of light and darkness in scenes, creating a realistic impression of the period when artificial light sources were scarce and expensive. The variety and more contemporary elements prevented Waki from growing bored with the Edo setting.
