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The worm takes a huge form in the sky and the two fly over it. Daijin reappears and reveals he has passed on his function as a keystone to Souta. Souta suddenly turns into a keystone and Suzume reluctantly uses him to lock-up the giant worm. Suzume wakes up at a shrine housing the Tokyo gate, where she sees Souta in the Ever-After, but is unable to enter the door. Daijin appears and Suzume gets angry at him and tells him not to come back. She visits Souta's grandfather, Hitsujirō Munakata, at the hospital, hoping to figure out how to rescue Souta.Despite the school setting, characters are rarely shown learning or training, instead preferring to throw its leads from one sink-or-swim challenge to another, trusting the audience to assume that they already have the necessary skills with maybe a flashback or post hoc explanation as to how the characters developed them. This isn't an invalid method of storytelling per se, but it's easy to see how some people could be turned off from the show because of it. Characters that play antagonistic roles will generally show some combination of smugness, elitism and outright corruption, to the point where one starts to wonder if Tōtsuki is even that good of a school. For example, in an early episode, the character Erina Nakiri oversees the school's entrance exam and refuses to admit that she enjoys Soma's cooking, causing him to fail. In another, an instructor attempts to expel Megumi for altering a recipe, despite having only done so to compensate for the deliberately poor produce that she had been forced to use. As such, the show ends up fighting an uphill battle when it inevitably attempts to portray these characters in a more understandable ore even sympathetic light.
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