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^ "D. N. Angel Tops BookScan List". ICv2. February 18, 2005. Archived from the original on February 20, 2012. Retrieved December 3, 2009. ^ "'Fruits Basket' Tops Bookstore Sales". ICv2. June 24, 2005. Archived from the original on October 3, 2012.

The orbit is a structure that is formed by several bones. The orbit also contains muscles, nerves, blood vessels, and the structures that produce and drain tears. The white of the eye is called the sclera. This is the relatively tough outer layer of the eye. It is covered by a thin membrane, called the conjunctiva, located near the front of the eye. The conjunctiva runs to the edge of the cornea and covers the inside of the eyelid. The cornea is a clear dome on the front surface of the eye that lets light in. The cornea not only protects the front of the eye, but also helps focus light on the retina at the back of the eye. The iris is the circular, colored area of the eye. It controls the amount of light that enters the eye by making the pupil larger or smaller. The pupil is the black area in the middle of the eye.

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[68] The Sailor Moon example further illustrates how fans, rather than publishers or creators, often determine whether a work is yuri; Sailor Moon was not conceived as a yuri manga or anime, but "became a yuri text"[69] based on how the work was interpreted and consumed by yuri fans. [63][67] Nominal sexual content[edit] A page from Kisses, Sighs, and Cherry Blossom Pink (2003–2012) by Milk Morinaga. Sexual content in yuri is rarely more explicit than the hand-holding and kissing depicted here. Yuri works generally do not depict graphic sex scenes. Unlike yaoi, where explicit depictions of sexual acts are commonplace and stories typically climax with the central couple engaging in anal intercourse, sexual acts in yuri are rarely more explicit than kissing and the caressing of breasts. [30] Kazumi Nagaike of Oita University argues that this general avoidance of sex "does not mean that female sexual desire is effaced" in yuri, but rather that the absence of sex "clearly derives from the importance which is placed on the spiritual female-female bond. "[30] "Crimson Rose and Candy Girl"[edit] The majority of yuri stories published in the 1970s and 1980s were tragedies, focused on doomed relationships that end in separation or death (see History above). [37] Yukari Fujimoto, a manga scholar at Meiji University, notes that the tragic plot of Shiroi Heya no Futari became a common yuri story archetype that she dubs "Crimson Rose and Candy Girl". These stories depict "Candy", a physically smaller character with lighter hair and a naive personality, who admires "Rose", who is generally taller, with long dark hair and a serious demeanor. [37] The characters bond over a common unhappiness, usually originating from their respective home lives. [70] The attachment between Candy and Rose becomes the subject of rumors or even blackmail, even while Candy and Rose grow to acknowledge that their relationship has become romantic. Given the absolute presence and importance of the ball in play, it had been previously thought impossible for Kuroko to maintain his misdirection while in possession of the ball; as such the time he spends handling the ball on court is extremely minimal. He has overcome this previous limitation, and has developed the ability to imperceptibly move past players while dribbling the ball, creating his own 'vanishing' drive. The ability is effective enough to pass through the defenses of Shintarō Midorima, a member of the Generation of Miracles, and can also pass Takao's Hawk's Eye. [13] Kazuya Hara has speculated that Kuroko uses blinking to bypass the defense, but this has been proven wrong. The real explanation of this skill was given by Midorima, in Seirin's second match against Tōō. The skill is basically a cross-diagonal move (a duck-in) to where the opponent's eye field can't see. Kuroko bends over in a specific angle at drives following a specific route, that the opponent has it very difficult to follow. [14] But the real Vanishing Drive is a collaboration with Kagami. Similar to Kuroko's misdirection, Kagami draws the attention of the opponent to him, just for a second, and that makes it possible for Kuroko to pass his opponent successfully.
The only one so far to have beaten the Vanishing Drive, is Aomine. He countered it and stole the ball by closing his eyes, making Kagami's misdirection ineffective.