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His loose personality suggests he might be an audience insert character, but he doesn’t feel like he’s there to clarify anything. Even his growth feels inconsistent. Halfway through he gets incredibly enthusiastic about certain subjects, but it feels less like earned character development and more like he had to act a certain way to propel a certain episodic narrative. If this were a show like Tatami Galaxy, Nagata would feel like the centerpiece of everything, to ground events in a way the audience can understand and emphasize with his goals and ambitions in a limited cast, but the show opts to hot potato the screentime focus among several characters.
Mizuho is similar, being described as “having a moody personality and refusing to interact with others,” and shouldering the blame for a problem affecting the group, but before too long, she’s fawning over cute animals and talking about the plot in a significantly more chipper way. Once again, it’s hard to see what aspect of teenage life she’s meant to specifically relate toward when her characterization feels more in service of plot than anything else.

^ "Shueisha Media Guide 2013: Boy's & Men's Comic Magazines" (PDF) (in Japanese). Shueisha. Archived from the original (PDF) on April 4, 2014. Retrieved December 5, 2013. ^ 早く退場して! しぶとすぎて嫌な悪役3選「お前は『死』にすら値しない」. magmix.

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Penguin Random House. Retrieved October 25, 2021. ^ "『イジらないで、長瀞さん(10)』(ナナシ) 製品詳細 講談社コミックプラス". Kodansha Comics (in Japanese). Retrieved April 25, 2021. ^ "『イジらないで、長瀞さん(10)特装版』(ナナシ) 製品詳細 講談社コミックプラス". Kodansha Comics (in Japanese). Retrieved April 25, 2021. ^ "Don't Toy With Me, Miss Nagatoro, volume 10". Penguin Random House. Retrieved March 12, 2022. Retrieved October 12, 2019. ^ a b 「地獄楽」番外編がジャンプに、藤本タツキが同作を語るインタビューも (in Japanese). Natalie. June 10, 2019. Archived from the original on October 12, 2019. Retrieved October 12, 2019. ^ "Hell's Paradise: Jigokuraku, Vol. 7". Viz Media. Archived from the original on January 27, 2021. Retrieved December 16, 2020.