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We learn to deal with death. People do grow old and die. People do die for a reason. People do die for no reason. Some people may call FMA needlessly dark for a children's anime, but rather it's brutally honest. It's likely you will feel real pain. It's unlikely you'll forget the pain. Anyone we meet to whom a great misery befalls is so uniquely focused and blindly determined that the mechanics of his/her devastation become very clear.
They seem proverbial, as though the Brothers
Grimm were revived to create some of these characters. The series has enough fluff to get us through grim reality, but most of the time, it's really an opportunity to show how much heart many of the characters possess. It may seem odd for an anime centered around some teenage boys to have no sexual connotations whatsoever, but that'd just get in the way of the very strong emotions expressed in this anime.
After humiliating
three aristocrats, Sora uses his wager to dress up Stephanie in a dog costume. However, Stephanie closely resembles one of the Werebeasts, the fourteenth ranked animal-eared race of the Exceed living in the islands of the Eastern Union, who possess superior senses and physical abilities as well as a sixth sense. Stephanie challenges Sora and Shiro to several prediction games, only for the former to lose her dignity each time. As Sora and Shiro exploit Stephanie for not having knowledge in probability, they tell her that there is not enough information about the Werebeasts. Realizing that Sora and Shiro were not fooling around with their duties, Stephanie redirects them to the main library in Elkia,
owned by Jibril, the youngest and strongest Flügel. 6"Interesting"
"Intaresutingu" (一手(インタレスティング))Kunihiko HamadaKento ShimoyamaMay 14, 2014 (2014-05-14)[86] Challenging Jibril to a game for the ownership over the main library, Sora and Shiro wager their tablet computer which contains thousands of valuable ebooks. After Sora fondles Jibril's sensitive wings, Jibril offers her freedom in exchange. They play a game of materialization word chain, where their spoken words will materialize or disappear from the environment, starting with an atomic bomb. During the game of materialization word chain, Sora tells Jibril that Imanity is not as weak as she thinks. Sora and Shiro cleverly and gradually dismantle the planet by removing its outer core, lithosphere and oxygen gas. This leads them to inducing a hypernova by nullifying Coulomb's law.
[30] Cast[edit] Tadatos Lane (Tada): Akira Kamiya (Japanese), Curtis Jones (English) Frolbericheri Frol (Frol): Michiko Kawai (Japanese), Wendee Lee (English) King Mayan Baceska (His Majesty): Hideyuki Tanaka (Japanese), Steven Blum (English) Doricas Soldam IV (Fourth): Toshio Furukawa (Japanese), David Hayter (English) Ganigus Gagtos (Ganga): Tesshō Genda (Japanese), Dean Elliot (English) Amazon Carnias (Amazon): Hirotaka Suzuoki (Japanese), Steven Blum (English) Vidminer Knume (Knu): Norio Wakamoto (Japanese), Joe Romersa (English) Colonel Glenn Groff (Mule): Michihiro Ikemizu (Japanese), Henry Malloy (English) Dolph Tasta (Red nose): Kōzō Shioya (Japanese), Steven Blum (English) Toto Ni (Toto): Tarako (Japanese), Dorothy Elias-Fahn (English) Chaco Kacka (Chaco): Tsutomu Kashiwakura (Japanese), Dean Allen (English) Staff[edit] Director: Satoshi Dezaki, Tsuneo Tominaga [ja] Executive Producer: Hidenori Taga [ja] Original Story: Moto Hagio Planning: Shigekazu Ochiai [ja] Screenplay: Toshiaki Imaizumi, Katsumi Koide Animation Director: Keizo Shimizu Character Design: Akio Sugino, Keizo Shimizu Effects Director: Kenichi Maejima Mechanical Design: Yōichi Yajima Art Director: Junichi Higashi [ja] Cinematography: Nobuo Koyama Audio Director: Shigeharu Shiba Music Director: Zen Oikawa Music:
Yasuhiko Fukuda Theme Song: "Boku no Honesty", Shinichirō Kawakami [ja] Producer: Minoru Kotoku Production: Magic Bus, Kitty Films Stage plays[edit] They Were Eleven has been adapted into several stage plays in Japan. The first, performed by the all-male acting troupe Axel [ja], ran from June to July 2004;[31] the second, performed by Axel, ran from December 2008 to January 2009;[32] the third, performed by the all-male acting troupe
Studio Life [ja], ran from February to March 2011;[33][34] the fourth, performed by Studio Life, ran throughout January 2013;[1][35] and the fifth, performed by Studio Life, ran from May to June 2019. [36][37] The sequel manga series has also been adapted into two stage plays in Japan: one performed by Studio Life, which ran from February to April 2013,[1][35] and another performed by the female idol group Morning Musume '16, which ran throughout June 2016. [18][38][39] Audio drama[edit] An audio drama adaptation of the manga was produced by the drama CD label E-Star and released in Japan on September 25, 2013. It starred Atsushi Abe as Tada, Kazutomi Yamamoto as Frol, Kōsuke Toriumi as King Mayan Baceska, and Daisuke Kishio as Doricas Soldam IV. [40][41][42] Reception[edit] In 1976, They Were Eleven won the 21st (1975) Shogakukan Manga Award in the combined shōjo and shōnen category. [2][43] See also[edit] Lily C. A. T. References[edit] ^ a b c Loo, Egan (November 5, 2012). "Moto Hagio's They Were Eleven Sequel Gets Stage Play".
