kamal abu raya wikipedia
He often had regrets of
leaving his hometown and facing people stronger than him. When Rifujin took up writing Mushoku Tensei he channeled
that sorrow as a driving force to overcome all the difficulties while writing and to continue the story all the way till the end. [6] He revealed that he was influenced by Lucifer and the Biscuit Hammer and Parasyte, which focused on family and human relationships. [7] Rifujin commented that he created Rudeus aware of his controversial personality. He intended Rudeus' actions would be more meaningful in the process. He had no issue criticizing Rudeus at an early stage and left it to the audience to judge him. Magonote wanted the audience to pay attention to a specific side of his character and be able to relate to him. [8] Earlier, he said that he felt a big response in episodes 6 to 7 of the web version of the novels, but that was just when Roxy took Rudeus out. Thanks to her, Rudeus overcomes the trauma. Such a story gave a warm impression to his readers and made him think, "Let's grow in this direction. "[9] Rifujin stated that he wrote every chapter from his personal computer in an old fashioned way rather than modern writers.
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It's a show that has proven to be a source of entertainment for those unconcerned with the finer details and who simply want to be amused for 20-minute intervals, as well as a comical mess for those who do see beyond the smoke and mirrors and enjoy dissecting silly shows for purposes of discussion. It's a show that takes itself dead serious while being
oblivious to the fact that it's anything but. It's the Elfen Lied, the
Mirai Nikki, the Akame Ga Kill, the [insert your own example here] of 2016. A show that could appeal to everyone, regardless of how they view their entertainment or how much thought they place into the pixelated images flooding their peripheral. It's the "M. Night Shyamalan" of animated works, a name big enough to fill in seats on opening night, but consistently funny enough for critical thinkers to jump in knowing they'll experience something amusing, even if unintentional.
Everyone wins. The studio heads make their profit, the majority get to be entertained, and the critics get a new punching bag for their inner circles. The world needs titles like Re:Zero. Titles that everyone will see. Cynical cash grabs will always come and go, but if I'm given a choice in the matter, I at least want my price of admission to be a show that's still entertaining.
