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^ a b c Maser 2013, pp. 20. ^ a b Nagaike 2010, ch. 5. ^ Monden, Masafumi (March 2015). "Shōjo Manga Research: The Legacy of Women Critics and Their Gender-Based Approach". Manga Studies. General and cited references[edit] Maser, Verena (2013). Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre (PDF) (PhD). University of Trier Department of Linguistics, Literature and Media Studies. Merveille, Karen (2010).It is easy to be . nonchalant or carefree – or to believe we are working towards “something” – but yet, after the fact has passed, what will we wish we did instead? What should have mattered to us more at the time?
In story, sousou no Frieren is about everything that happens "in the moment”, and the things we didn’t know we had until we find time to reflect; the end is what catches up to us when there is no tomorrow to put things off until. As our lives speed towards that end, we start to learn the meaning in making those small moments count. But did we not always know this? Wisdom is as much about its meaning as it is about how we come to acknowledge it. Our teacher may be there for only one one-hundredth of our lives, yet it only takes that one person to question us on the things we haven’t yet stopped to think about. For even if we don't appreciate wisdom at the time, once that seed has been planted, do we not continue to grow it unknowingly until the season is right for it to fruit?
Visually, while peppered with small parts of almost misplaced silly humour, sousou no Frieren captures the story’s deep sentiments with detailed subtleties: slight shifts in wrinkled expressions, dirt flicking up from a wagon’s wobbly wheel, the agefulness in the differences of characters' hands, or the objects that become absent from Himmel’s cabinet between scenes. The unobtrusiveness of the character banter is paired with genuinely “normal” character flaws that serve only to make the characters more real, as they struggle with their own vices, internal demons.