aikatsu
Miyamura was a cipher at first—Quiet and introverted, he does not like school, cliques, and social requirements. He spoke very little
about his personal life and he stood out from every other generic character design. Simply looking at him raises questions: Why does he have tattoos, nine piercings, and such long hair? All of these questions are answered in a very cut and dry manner. About two minutes of each episode is saved for flashbacks to his dark past. His backstories are presented with washed-out colors, quiet background sound, and darkened backgrounds to highlight his depressed state of mind. The
solid presentation makes his melodramatic past seem more
interesting than it is. With Hori's help, he overcomes his trauma, depression, and isolation (rather quickly). Miyamura's most significant obstacle was his inability to say how he truly felt. Characters joke about it because they reference how stereotypical his behavior is. If your story makes fun of a genre cliche, then repeatedly uses it, you are not subverting anything. The story is aware it is annoying and it does not care.
Most of them relied of next episode explanation about what the hell happen in the
last episode.
Overall it should be a good anime but they rushed it and just destroyed potentially a very good anime. If you're haven't watch it, I recommended to hold it and wait the 2nd season. Reviewer’s Rating: 6 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by PoDH (16) Show allRead moreShow lessOpen Gift Report Sep 27, 2017 HellLyter Not Recommended I'm not claiming to be a veteran when it comes to watching anime, but I've seen enough where viewing shows with a typical high school setting just doesn't cut it for me anymore. Of course a lot of the shows in this genre come with a twist or two, and Classroom of the Elite is no exception. However just because an anime uses the classic school life
formula doesn't mean that it will be successful.
[63][64][65] A different English dub, produced by VSI Los Angeles, previously launched on Netflix in Japan. [66] MVM Entertainment licensed the series in the United Kingdom and Ireland. [67] It began streaming on Netflix globally on July 7, 2022,[68] as well as Crunchyroll and HiDive on select territories on the same day. [69] On July 7, 2021, Twin Engine announced that a second season was in production. [70] Shūhei Yabuta returned as director, and Takahiko Abiru returned as character designer. [71] The second season is animated by MAPPA, and
premiered on Tokyo MX, BS11, and GBS on January 10, 2023,[72][73][a] running for 24 episodes. [75] The second season was simulcast globally on both Netflix and Crunchyroll, excluding China, South Korea and Japan. [76] Stage plays[edit] The stage play adaptations of the manga, titled Vinland Saga the Stage: At the End of the End of the Ocean (舞台 ヴィンランド・サガ 〜海の果の果ー辺〜, Butai "Vinland Saga" ~Umi no Hate no Hate-hen~) and Vinland Saga the Stage: Revival of the Hero (舞台 ヴィンランド・サガ 〜英雄復活篇〜, Butai "Vinland Saga" ~Eiyū Fukkatsu-hen~), are scheduled to run concurrently in Tokyo from April 19–29, 2024. Daisuke Nishida is
writing the scripts and directing the plays. The cast includes Shohei Hashimoto as Thorfinn, Ryō Kitamura as Canute, Takeshi Hayashino as Thorkell, Ryoko Isogai as Bjorn, and Takashi Hagino as Askeladd. [77] Other media[edit] Yukimura drew a seven-page crossover manga chapter between the series and the Assassin's Creed Valhalla video game that was uploaded to Ubisoft's website on October 23, 2020.
