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Lena has a habit of treating her 86 subordinates like humans, unlike other Handlers who treat the 86 as disposable objects. Lena is the newly-assigned Handler of the Republic's "Spearhead" squadron. Frederica Rosenfort (フレデリカ・ローゼンフォルト, Furederika Rōzenforuto) Voiced by: Misaki Kuno[8] (Japanese); Kimberley Anne Campbell[9] (English) The adopted daughter of Ernst. Her full name is Augusta Frederica Adel-Adler (アウグスタ・フレデリカ・アデルアドラー, Augusuta Furederika Aderuadorā), the last Empress of the Giad Empire before it collapsed, with the ability to see the past and present of anyone she meets. She decides to
join Shin and his crew at the Officer Training school in order to end the suffering of her knight, Kiriya, who was turned into a Legion Shepherd. Spearhead Squadron[edit] Raiden Shuga (ライデン・シュガ, Raiden Shuga) /
Wehrwolf (ヴェアヴォルフ, Veavorufu) Voiced by: Seiichiro Yamashita[10] (Japanese); Jonah Scott[4] (English) The Executive Officer and vice-captain of the Spearhead Squadron. A friend of Shin before they joined the same squad. Theoto Rikka (セオト・リッカ, Seoto Rikka) / Laughing Fox (ラフィングフォックス, Rafingu Fokkusu) Voiced by: Natsumi Fujiwara[10] (Japanese); Casey Mongillo[4] (English) Known by his nickname Theo (セオ, Seo). His callsign was inspired by an Alba commander who sacrificed himself to
save Theo's unit. Theo is often blunt and sarcastic when dealing with others, especially their Handlers. He
gives Lena a hard time, especially after seeing Kaie, a close friend and comrade die.
"Take Me With You" (連れてって, Tsuretette) 26 September 14, 2023[66]978-4-06-532844-6—— 222. "Design" (設計(デザイン), Dezain) 223. "Are You Willing to Die?" (死ねるか, Shineru ka) 224. "An
Easy Job" (簡単(なお仕事),
Kantan na Oshigoto) 225. "Raid Battle" (レイドバトル, Reido Batoru) 226. "Letter of Resignation" (退職願, Taishokunegai) 227. "Scales to the Future" (未来への天秤, Mirai e no Tenbin) 228. "Unruly Brat" (悪童(あくどう), Kusogaki) 229. "Underdog" 230. "Buddy" (同志(バディ), Badi) 27 December 15, 2023[3]978-4-06-533904-6—— 231. "Dive to the Blue" (DIVE(ダイブ) TO(トゥ) BLUE(ブルー), Daibu tu Burū) 232.
In both of these the viewer finds more complex characters and detailed, well-thought out fights that capitalize on everything their respective subplots
have to offer. If only there was more of these sorts of fights and
less of Ippo winning not because he deserves it but because he has to win somehow for the plot to progress.
The animation is a real highlight of the show, at least during the fights. The camera feels loose and free, not restrained by the cheap but easy to animate single angles that usually plague TV anime. The boxers' movements are accentuated by wind effects like they are kicking up dust every time they move, but it is used tastefully so that it only adds to the experience, something that can only be done reasonably in animation. Successful hits look painful, damage to the boxers accumulates as the fights go on.