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Music[edit] AKIRA: Original Soundtrack (Symphonic Suite AKIRA)Soundtrack album by Geinō Yamashirogumi (芸能山城組)Released1988Recorded1988GenreAnime, film, gamelan, nohLength69:36LabelVictor Music Industries, Demon Records/JVC Records, Milan RecordsProducerShōji YamashiroGeinō Yamashirogumi (芸能山城組) chronology Ecophony Rinne(1986) AKIRA: Original Soundtrack (Symphonic Suite AKIRA)
(1988) Ecophony Gaia
(1990) AKIRA: Original Soundtrack (Symphonic Suite AKIRA) was recorded by Geinoh Yamashirogumi (芸能山城組). [100] The music was composed and conducted by musical director Shōji Yamashiro (pseudonym of Tsutomu Ōhashi), and performed by the collective Geinoh Yamashirogumi. [100] The soundtrack draws heavily from traditional Indonesian gamelan music, in addition to elements of Japanese noh music. [101] It features music which was additionally re-recorded for release. "Kaneda", "Battle Against Clown" and "Exodus From the Underground Fortress" are really part of the same song cycle – elements of "Battle Against Clown" can be heard during the opening bike sequence, for example. The score is generally sequenced in the same order that the music occurs in the film. The North American version featured extensive production notes by David Keith Riddick and Robert Napton. AKIRA: The Original Japanese Soundtrack; an alternate soundtrack was also released. This version included music as it appeared in the film with dialogue and sound-effects albeit ordered out of sequence. The soundtrack spawned an album of electronica remixes from Bwana, called Capsules Pride. [3] Samples from the Akira soundtrack have also been featured in numerous other hip hop and electronic music tracks.
He is emotionally hypersensitive and sometimes does as expected out of fear of rejection, but he has often rebelled and refused to pilot the Eva because of the excruciating harm that has been done to him or to his friends. Throughout the series, he says to himself "I mustn't run away" as a means of encouraging himself to face the threats of the day, and this sometimes actually gives him bravery in battle, but he has a lingering habit of withdrawing in response to traumatic events. Anno has described Shinji as a boy who "shrinks from human contact" and has "convinced himself that he is a completely unnecessary person". [16] The cast of Neon Genesis Evangelion as depicted on the Japanese "Genesis" (volume) 14 laserdisc and VHS cover The withdrawn and mysterious pilot of Evangelion Unit-00, Rei Ayanami, is a clone made from the salvaged remains of Yui and is plagued by a sense of negative self-worth stemming from the realization that she is an expendable asset. [17] She at first despises Shinji for his lack of trust in his father Gendo, with whom Rei is very close. However, after Shinji and Rei successfully defeat the Angel Ramiel, she takes a friendly liking to him. Towards the end of the series, it is revealed that she is one of many clones, whose use is to replace the currently existing Rei if she is killed. Asuka Langley Soryu is a child prodigy who pilots Evangelion Unit-02 and possesses a fiery temper and an overabundance of pride and self-confidence, which often gets her in trouble and difficulty, especially during battles. As a little girl, Asuka discovered the body of her mother shortly after she committed suicide, leading the child to repress her emotions and vow never to cry. Asuka and Shinji develop intense but ambiguous feelings toward each other and have difficulty reaching out to others. Their relationship was initially modeled on the one between Jean, Nadia's love interest and eventual husband in the earlier Nadia.
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