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As for Ryouma himself, there wasn’t much hope for his personality. Being your average isekai protagonist means he can’t manage anything beyond generically “nice” or passive, lest the audience loses the ability to self-insert themselves into him for even a second. There’s some stuff about how he’s dealing with the traumatic experience of his previous life, but it’s only ever briefly mentioned and never gets explored as much as I wanted. Every so often it’d cut back to scenes of Ryouma’s previous life to show how it sucked compared his new one, and I’d actually get a bit more invested. I’d have liked if the show jumped back and forth between his two lives more often, but instead we had to watch him scrub a sewer or walk around some mines or something. It reminded me of Youjo Senki – where I was all on board for the theological pissing match between a cynical salaryman and “God”, but the show kept interrupting that with the forgettable magic WW1. 5 stuff.
I feel like my biggest frustration with the plot was how procedural everything felt. There’s like three episodes spent on Ryouma setting up a laundry business with his slimes, and it all just happens without any narrative twist or anything. We watch him go to some merchant lady to get funding, acquire a building and renovate it, open the business, hire some staff, and so on. It’s about as interesting as watching someone actually start a laundromat.
Just as he is about leave, Hina starts crying and tries to walk towards Yōta, saying she loves him. Yōta takes Hina home and everyone agrees to complete the movie. Yōta decides to become a researcher like Hina's grandfather so he can cure her condition. Afterwards, everyone watches the movie together. At the end of the movie, Hina reveals in a making-of interview that her memories are so beautiful that they will never disappear and she refers to them as an eternal treasure. Yōta decides that no matter what hardship they face, he will continue to be by Hina's side. Manga[edit] A manga adaptation, illustrated by Zen, was serialized on Kadokawa Corporation's ComicWalker and Niconico Seiga websites from November 14, 2020 to January 25, 2022 via Dengeki G's Magazine. [43][44][45] Two volumes were published from May 27, 2021 to February 26, 2022. [46][47] Volume list[edit] No. Release date ISBN 1 May 27, 2021[46]978-4-04-913721-7 Kōrin no Hi (降臨の日)Shirabe no Hi (調べの日)Tenshi ga Ochiru Hi (天使が堕ちる日)Tōhai no Hi (闘牌の日)Dai Mahō no Hi (大魔法の日)Matsuri no Hi (祭の日)Eiga Satsuei no Hi 1 (映画撮影の日1) 2 February 26, 2022[47]978-4-04-914109-2 Eiga Satsuei no Hi 2 (映画撮影の日2)Umi o Mi ni Iku Hi (海を見に行く日)Kami-goroshi no Hi 1 (神殺しの日1)Kami-goroshi no Hi 2 (神殺しの日2)Saikai no Hi (再会の日)Yūgi no Hi (遊戯の日)Kimi ga Erabu Hi (君が選ぶ日)Korekara no Hibi (これからの日々) Reception[edit] This section needs expansion. You can help by adding to it.
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