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It was compiled into a tankōbon volume published digitally by Shueisha on October 18, 2013. [11] It was licensed Viz Media and published digitally on September 26, 2017. [12][13] A full-color illustration book, titled Tokyo Ghoul Zakki, was released along with the final volume of the manga on October 17, 2014. It includes all promotional images, volume covers and unreleased concept art with commentary by Ishida. [14] A sequel manga series, titled Tokyo Ghoul:re, was serialized in Weekly Young Jump from October 16, 2014,[15][16] to July 5, 2018. [17][18] The series is set two years after the end of the original series and introduces a new set of characters. [19] Shueisha collected its chapters in sixteen tankōbon volumes, released from December 19, 2014,[20] to July 19, 2018. [21] The manga was licensed by Viz Media,[22] with the volumes released from October 17, 2017,[23] to April 21, 2020. [24] Light novels[edit] Four light novels have been released thus far and all are written by Shin Towada, with illustrations done by series creator Sui Ishida. On June 19, 2013, Tokyo Ghoul: Days (東京喰種トーキョーグール[日々], Tōkyō Gūru[Hibi]) was released, Illustrations were done by the series creator Sui Ishida and written by Shin Towada and serves as sidestory/spin off that focuses on the daily lives of characters from the Tokyo Ghoul series. Tokyo Ghoul: Void (東京喰種トーキョーグール[空白], Tōkyō Gūru[Kūhaku]) was released on June 19, 2014, and fills in the 6 month time gap between volumes 8 and 9 of the first series.

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In reviewing the first episode, Vrai Kaiser of Anime Feminist said that while the series isn't bad, its writing can unearth "a kind of camaraderie in the face of despair," but that these two months are "preceded by 20 minutes of noise," but that there is potential in the series. [48] In a review of the first three episodes, Meru Clewis on the same website, said they approached the series enthusiastically due to fond memories of Angel Beats but was apprehensive, saying it has the potential to be "really, genuinely interesting" if Hina's character is improved, and hoped that the series gets better. [49] In another review, on the same website, Noise criticized the series for featuring a "lot of insidious ableism" in the last few episodes, perpetrating harmful ideas about treatment and agency of disabled people, embodying clichés and stereotypes that disabled people often embody in popular fiction, and the ableism of the series' big plot twist as tying into the "disability superpowers" trope. However, he also said that there is an "incredibly uncomfortable sexual undertone", a "coat of romantic sugariness", criticized the series for promoting a "regressive. narrative about disability," and said that the series had some high points, including a touching subplot, while citing The Duke of Death and His Maid as a better example of "coded disability" in anime. [50] Notes[edit] ^ a b Tokyo MX listed the series premiere on October 10, 2020 at 24:00, which is midnight on October 11. ^ All English titles are taken from Funimation. "Triple Combo" (三者融合(トライ・セッション), Torai Sesshon) 60. "Field Vision" (戦場視界(フィールド・ビジョン), Fīrudo Bijon) 61. "Leverage" (生かす, Ikasu) 62. "Loser" (ヘタクソ, Hetakuso) 63. "Buried Ego" (埋もれる人間(エゴ), Umoreru Ego) 64. "The Lead Actor's Stage" (主役の座(ステージ), Sutēji) 65.