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The My Little Pony TV Specials were animated by Japanese studios, and it shows. The second one looks especially shoujo. My Little Pony (G3) was often described in its heyday as an animesque take on the characters, specifically their character designs. My Little Pony: Tell Your Tale retains the anime-esque elements through their expressions. Neo Yokio is an American production co-animated by Studio DEEN and Moi Animation to boot. The style imitates anime of the early 2000s, complete with frequently off-model characters, flat coloring, and many hallmarks of the genre that have fallen out of favor like sweat drops, nosebleeds, and chibification.

They contain largely new material that is either only hinted at or is not presented in the manga. From August 1 to 4, 2006, NHK broadcast all four movies as part of its satellite networks NHK BS-2's Summer Anime Choice line-up, and TV Osaka aired the last three movies from January 3 to 8, 2007. [46] All the films were collected into a DVD box named Slam Dunk The Movie which was released on December 10, 2004. [47] The first film, simply titled Slam Dunk, premiered on March 12, 1994. [48] Set after Shohoku's practice game against Ryonan (before the second half of episode 20), the film focuses on a practice game against Takezono High. Before the game, Sakuragi runs into Yoko Shimura, the girl who rejects him in the very first scene of the series, and Oda, the basketball player she rejected him for.

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Aso was amazed by the take a "heartwarming zombie comedy" by Shin'ichirō Ueda. Though the manga predated the film, Aso enjoyed One Cut of the Dead while adding that he wrote the manga without being conscious of the international market. Aso originally preferred Western movies over domestic ones, leading to his manga being more influenced by the former. In order to stand out as a manga author, he wanted to make a commentary about Japanese society in order to tell the audience to laugh, something different from previous zombie works. The style is described as "a little offbeat, a little silly". While telling a ridiculous story, his message was telling the readers to do whatever they want like his characters do. [12] Aso, who had no experience working in a company, interviewed his friend, an office worker. While drinking on the weekend and taking notes on his friend's complaints, Aso thought to himself, "Wouldn't zombies be better if this were the case?" From that story, he envisioned the main character, Akira, who puts off everything he wants to do and devotes himself to his work at the company. Then, he put Akira into a zombie world, thus initiating the production of the story. [11] Artist Kotaro Takata said that the theme of zombies was something he always wanted to work on, with some of his favorite works in the horror genre being Zombieland and Z Nation. [13] Aso and Takada, who is in charge of the animation, were "originally private friends who often went camping together. "A World Seen For the First Time"6:406. "How to Use Your Power"3:417. "Telepathy Life"4:548. "Telepathy Fairy-tale"3:379. "Body Improvement Club’s 3 Minute Cooking"3:4810. "Interview"2:3211.
Kun[edit] Matomaru-kun (まとまるくん) on an eraser Kun (君【くん】) /kʊn/ is generally used by people of senior status addressing or referring to those of junior status, or it can be used when referring to men in general, male children or male teenagers, or among male friends. It can be used by males or females when addressing a male to whom they are emotionally attached, or whom they have known for a long time. Although it may seem rude in workplaces,[3] the suffix is also used by seniors when referring to juniors in both academic situations and workplaces, more typically when the two people are associated. [4] Although -kun is generally used for boys, it is not a hard rule. For example, -kun can be used to name a close personal friend or family member of any gender. In business settings, young female employees are addressed as -kun by older males of senior status.