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believes that this modification of the title is to emphasize parallels between beauty and devastation, citing the relationship between fireflies, M-69 incendiary bombs, naval vessels, city lights, and human spirits. [21][20] In the book Imag(in)ing the war in Japan representing and responding to trauma in postwar literature and film, David Stahl and Mark Williams commend the film for not emphasizing Japanese victimhood to avoid responsibility for atrocities of the war they played a role in. They interpret that Seita's character embodies working towards healing historical trauma and victimization, because it is his nationalistic pride and selfishness which ultimately contributed to his sister's death. [33] Release[edit] Theatrical[edit] The film was released on 16 April 1988, over 20 years from the
publication of the short story. [9] The initial Japanese
theatrical release was accompanied by Hayao Miyazaki's light-hearted My Neighbor Totoro as a double feature. While the two films were marketed toward children and their parents, the starkly tragic nature of Grave of the Fireflies turned away many audiences.
[11] On November 26, 2019, Key teased on Twitter that it had eight projects in the works for its 21st anniversary, which included the Planetarian: Snow Globe original video animation project, the Kud Wafter anime film, Maeda's Heaven Burns Red video game, an unnamed visual novel, and four secret projects. [12][13] On April 1, 2020, the Twitter account for Angel Beats! and Charlotte teased that a project in 2020 would be revealed. [14] On May 10, 2020, Key, P. A. Works, and Aniplex held a livestream on Niconico, and formally announced The Day I Became a God anime project. The livestream revealed that Maeda would be credited for the original work and script, and Na-Ga with original character design, and the anime was scheduled for an October 2020 premiere.
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