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"[55] He praised Madhouse's animation for not only keeping up the dark "cinematic quality of Urasawa's art" but also improving on it, as well as Kuniaki Haishima's score for adding "immeasurably to the series' hair-raising atmosphere. "[56] Though he noted Viz Media's inability to acquire the original
ending theme song due to licensing problems, Kimlinger also called their English dub of the series one of the best in recent memory. [56] Kimlinger praised the series, for "its fidelity to Naoki Urasawa's original manga", commenting that "there isn't a scene left out, only a handful added in, and as far as I can tell not a line of dialogue changed or omitted. Given its faithfulness, fans of the manga will know that the series won't get any better than this, this is as good as the series gets. " As well as for its frequent habit of giving the spotlight to newly introduced characters instead of the main cast. [55][56] He also described the ending of the series as, "we feel vaguely let down when what we should really be doing is glorying in the somewhat messy, yes, but exhilarating final throes of one of last decade's great series". Nonetheless, he considered such an ending to be expected, since "as ambitious and complicated and just plain huge as Monster is, no conclusion is going to be entirely satisfactory. Someone is bound to get short-changed, loose ends are bound to be left dangling, and even if they weren't, the simple
truth is that no climax could ever live up to the series' build-up". [57] References[edit] ^ a b "Naoki Urasawa's Monster Manga Series Returns to Print in New Perfect Edition Release from Viz Media". Viz Media via Anime News Network. 25 June 2014.
^ a b Chapman, Jacon (September 13, 2019). "Interview - The Creators of Food Wars!". Anime News Network. Archived
from the original on September 30, 2020. Retrieved September 10, 2020. ^ "「少年疾駆」附田祐斗と新鋭のコンビがジャンプ増刊に登場". Natalie (in Japanese). April 29, 2012. Archived from the original on August 12, 2019. Retrieved August 12, 2019. ^ Rafael Antonio
Pineda (June 2, 2019).
So, Aso came up with the idea of a protagonist who can see zombies as something fun,
thinking that real people might be more disgusting than zombies, and "It would be interesting to mix zombies and company beasts. " He has come up with the idea of having company animals as the main characters. [11] However, he was impressed after watching the 2018 Japanese film One Cut of the Dead. Aso was amazed by the take a "heartwarming zombie comedy" by Shin'ichirō Ueda. Though the manga predated the film, Aso enjoyed One Cut of the Dead while adding that he wrote the manga without being conscious of the international market. Aso originally preferred Western movies over domestic ones, leading to his manga being more influenced by the former. In order to stand out as a manga author, he wanted to make a commentary about Japanese society in order to tell the audience to laugh, something different from previous zombie works. The style is described as "a little offbeat, a little silly". While telling a ridiculous story, his message was telling the readers to do whatever they want like his characters do. [12] Aso, who had no experience working in a company, interviewed his friend, an office worker. While drinking on the
weekend and taking notes on his friend's complaints, Aso thought to himself, "Wouldn't zombies be better if this were the case?" From that story, he envisioned the main character, Akira, who puts off everything he wants to do and devotes himself to his work at the company.
