overtake anime
[4] In Japan, the term shōjo-ai is not used with this meaning,[4] and instead denotes pedophilic relationships
between adult men and girls. [14][15] History[edit] Before 1970: Class S literature[edit] Writer Nobuko Yoshiya, whose works in the Class S genre significantly influenced yuri Among the first Japanese authors to produce works about love between women was Nobuko Yoshiya,[16] a novelist
active in the Taishō and Shōwa periods. [17] Yoshiya was a pioneer in Japanese lesbian literature, including the early twentieth century Class S genre. [18] Her works popularized many of the ideas and tropes which drove the yuri genre for years to come. [19] Class S stories
depict lesbian attachments as emotionally intense yet platonic relationships, destined to be curtailed by graduation from school, marriage, or death. [17] The root of this genre is in part the contemporary belief that same-sex love was a transitory and normal part of female development leading into heterosexuality and motherhood. [20] Class S developed in the 1930s through Japanese girls' magazines, but declined as a result of state censorship brought about by the Second Sino-Japanese War in 1937. [21] Though homosociality between girls would re-emerge as a common theme in post-war shōjo manga (comics for girls), Class S gradually declined in popularity in favor of works focused on male-female romances. [22] Traditionally, Class S stories focus on strong emotional bonds between an upperclassman and an underclassman,[18] or in rare cases, between a student and her teacher. [23] Private all-girls schools are a common setting for Class S stories, which are depicted as an idyllic homosocial world reserved for women. Works in the genre focus heavily on the beauty and innocence of their protagonists, a theme that would recur in yuri.
Akira and Tetsuo hold a rally at the Olympic Stadium to demonstrate
their powers to the Empire, culminating with Tetsuo tearing a massive hole in the Moon's surface and encircling it with a ring of debris. Following the rally, Tetsuo's power begins to contort his physical body, causing it to absorb surrounding objects; he later learns that his abuse of his powers has caused them to expand beyond the confines of his body, giving him the
ability to transmute inert matter into flesh and integrate it into his physical form. Tetsuo makes a series of visits on board the aircraft carrier to attack the scientists and do battle with American fighter jets. Eventually, Tetsuo takes over the ship and launches a nuclear weapon over the ocean. Kei—accepting the role of a medium controlled by Lady Miyako and the Espers—arrives and battles Tetsuo. Meanwhile, Kaneda, Kai, Joker, and their small army of bikers arrive at the Olympic Stadium to begin their all-out assault on the Great Tokyo Empire. Volume 6: Kaneda[edit] As Kaneda and the bikers launch their assault on the stadium, Tetsuo returns from his battle with Kei. As his powers continue growing, Tetsuo's body begins involuntarily morphing, and his cybernetic arm is destroyed as his original arm regrows. He then faces Yamada's team but absorbs their biological attacks and temporarily regains control of his powers. Tetsuo kills Yamada and the commandos; he also eludes the Colonel's attempts to kill him by guiding SOL with a laser designator. Kaneda confronts Tetsuo, and the two begin to fight; Kei joins them.
Archived from the original on January 28, 2015. Retrieved January 26, 2015. ^ "Kuroko's
Basketball Staff" (in Japanese). Archived from the original on January 7, 2013. Retrieved February 16, 2014. ^ "Kuroko's Basketball Staff" (in Japanese).
