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I don't know if anything will ever be able to replicate this feeling, but I hope that future creators take notes from Kemono Friends.
Give this show a shot, at least until episode 4. If you watch to that point and still can't get into it, it might not be for you. I 110% advise you to make your own theories about the show and THINK about it as you watch, taking breaks when possible. Go back and read the episode discussion threads on Reddit to get a sense of what people thought at different points in the show. Enjoy the wonderful fanart and other creative pieces that the huge, dedicated fanbase of Kemono Friends have made.

Following Ainz’ lessons on strategic thinking, Cocytus reasons that Brain might have value, so he collects Brain’s sword as a trophy and has his body frozen to potentially be resurrected later, should Ainz wish it. 5213"The Witch of the Falling Kingdom"
Transliteration: "Mekkoku no Majo" (Japanese: 滅国の魔女)Kyōsuke TakadaYukie SugawaraSeptember 27, 2022 (2022-09-27)TBA As the attack on capital continues, Renner convinces Ramposa have Climb hide the royal treasures around the city, hoping Ainz will want to obtain them and thus spare more people. Elsewhere, Aura raids the city's magician's guild. After completing his mission, Climb returns to the palace only to find Ainz on the throne and Ramposa dead. Believing Ainz [Charmed] Renner into killing her father, Climb challenges the Sorcerer King to a duel but is easily killed. However, he is later resurrected and finds that Renner is a demon now. While Renner claims that she was forced to swear loyalty to Ainz, a later conversation with Albedo reveals that she willingly sold out her country. Renner asks Climb to become a demon like her so that she wouldn't be alone, which he accepts. Meanwhile, Albedo visits Phillip, who expects thanks for providing her a casus belli. Instead, Albedo tortures him to death, revealing that Phillip's father requested that she punish him for his actions. In the aftermath of the war, Ainz meets Marquis Raeven and puts him in charge of the Kingdom's former territory.

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to me the one who loved you nautiljon

Within one's own company or when speaking of another company, title + san is used, so a president is Shachō-san. When speaking of one's own company to a customer or another company, the title is used by itself or attached to a name, so a department chief named Suzuki is referred to as Buchō or Suzuki-buchō. However, when referring to oneself, the title is used indirectly, as using it directly is perceived as arrogant. Thus, a department chief named Suzuki will introduce themselves as 部長の鈴木 buchō no Suzuki ("Suzuki, the department chief"), rather than ×鈴木部長 *Suzuki-buchō ("Department Chief Suzuki"). For criminals and the accused[edit] Convicted and suspected criminals were once referred to without any title. Still, now an effort is made to distinguish between suspects (容疑者, yōgisha), defendants (被告, hikoku), and convicts (受刑者, jukeisha), so as not to presume guilt before anything has been proven. These titles can be used by themselves or attached to names. However, although "suspect" and "defendant" began as neutral descriptions, they have become derogatory over time. When actor and musician Gorō Inagaki was arrested for a traffic accident in 2001, some media referred to him with the newly made title menbā (メンバー), originating from the English word "member", to avoid the use of yōgisha (容疑者, suspect). [citation needed] But in addition to being criticized as an unnatural term, this title also became derogatory almost instantly—an example of euphemism treadmill. Criminals who are sentenced to death for serious crimes such as murder, treason, etc. She’s startled, until suddenly a hand rests on her shoulder. Standing beside her, he greets his sister with a smile before handing her a tin can now full of treats, and together they walk aboard an empty train. Free from hunger and pain as they saunter off to the next life.
'The fireflies rose, burned ever so brightly, before slowly returning to darkness. '
This scene sets the soul-crushing tone for what to expect over the course of the film. Grim and unflinching in its portrayal of the privations of war and their effect on the most innocent of victims: children.