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Retrieved December 10, 2020. ^ "神達に拾われた男 7". HJ Novels (in Japanese).
Hobby Japan. Retrieved
October 13, 2021. ^ "By the Grace of the Gods: Volume 7".
Rakuten Kobo. Retrieved March 20, 2021. ^ "神達に拾われた男 8". HJ Novels (in Japanese). Hobby Japan.
[15][16] A teaser video was streamed on the series'
website in early June 2016. [9] At the conclusion of the first season's final episode, a teaser confirmed a second season for April 2017. The brief clip showed off the character Schierke and the Berserker armor, indicating the second season would adapt the next arc, "Hawk of the Millennium Empire". [17] Kentaro Miura, the author of the original manga, served as executive supervisor for the anime. [18] The series is directed by Shin Itagaki, and written by Makoto Fukami and Takashi Yamashita, with character designs provided by Hisashi Abe. Animation studio Liden
Films is producing the series with GEMBA and Millepensee helming on the animation production. [19][7] Shirō Sagisu returns from the Berserk: The Golden Age Arc films to compose the music for the series, while Susumu Hirasawa, composer for the 1997 series and the Golden Age Arc films, returns to produce two songs for the series, titled "Ashes" (灰よ, Hai yo) and "Ash Crow". [7][15][20] For first season, the opening theme song, "Inferno", is performed by 9mm Parabellum Bullet,[15][21] while the ending theme, "Meimoku no Kanata" (瞑目の彼方, lit. "Beyond Closed Eyes"), is performed by Nagi Yanagi. [22] For second season, the opening theme song, "Sacrifice", performed by 9mm Parabellum Bullet, while the ending theme, "Issai wa Monogatari" (一切は物語, lit. "Everything is the Story"), performed by Yoshino Nanjō featuring Nagi Yanagi.
[82] KonoSuba also finished runner-up for Best Comedy in the Crunchyroll's Anime Awards 2016 to Haven't You Heard? I'm Sakamoto. [83] In 2019, the anime was chosen as the favorite isekai series in the Funimation 'Decade of Anime' fan polls, where they vote for the favorite anime series through decade in various genres. [84] Critical response[edit] KonoSuba: God's Blessing on This Wonderful World is an anime
that has a lot of fun mocking the tropes of the typical JRPG fantasy world via a colorful cast of characters that are enjoyable in their own right. The comedy is so spot-on with its deadpan
nature that it's hard not to be drawn in by that alone. – Richard Eisenbeis, in his review of the anime[85] Like its light novel counterpart, the anime has received positive reception for its comedy, parody of the isekai genre, and faithful adaptation of the light novels. [86] Reviewing the first few episodes, Anime News Network (ANN)'s Theron Martin described the second episode as "the funniest episode of anime I have seen since Monthly Girls' Nozaki-kun aired", while also praising the series' musical score. [87] The voice acting has also been a subject of praise; Nick Creamer of ANN commended Sora Amamiya and Rie Takahashi's roles as Aqua and Megumin for the energy provided in their performances,[88] while Martin applauded Jun Fukushima for his work in voicing Kazuma, considering his dry tone an additional factor in the show's humor. [89] From the Legend of Crimson's release in Japan, Daryl Harding, writing for Crunchyroll News praised the story and comedy of the film noting that the "classic humor of (the TV series) translates well to a film runtime. " Daryl Harding did criticise the film by stating that "It doesn't look too different than the TV series" even with "more effects placed over the animation during scenes of explosive magic. "[90] In contrast, a common criticism of the anime was its inconsistent character animation, one that was described as "low budget" as characters appeared off-model. [86] Koichi Kikuta responded by stating such design was intentional, hoping to "bring out the individuality of each character" rather than the prettier artwork in the light novels; to do this, Kikuta's animation displayed "their more human sides, like their unflattering traits and their distressed moments.
