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However, this touching connection is short-lived, as it quickly takes a different turn during the job arc. Here, the boy encounters two other girls and embarks on the journey of building his, let's say, extensive harem. During this time, he shares no meaningful interactions with the girl from earlier, and she, unfortunately, doesn't take any proactive steps to bridge the gap between them. In fact, the entire summer passes without them crossing paths, which is a significant departure from the essence of a romance anime, where the heart of the story typically revolves around the evolving relationship between two central characters.
This sudden shift in focus, as the boy's attention diverts to other characters, ultimately detracts from the core of the anime, leaving a noticeable absence of the romantic connection that initially drew viewers in.
[91] On the third film, Burl Burlingame of the Honolulu Star-Bulletin wrote, "The steam seems to have run out of the franchise during this third part, and it's simply an OK capper to the series", but praised the special effects. [92] Variety's Russell Edwards also cited the special effects in the final installment as the best in the trilogy. [93] Notes[edit] ^ It started in the magazine's 44th issue of 1999,[28] released on October 4 of that same year. [29] ^ It finished in the magazine's combined 21st–22nd issue of 2006,[30] released on April 24 of that same year. [31] ^ It started (firstly announced just as the final chapter of 20th Century Boys) in the magazine's combined 4th–5th issue of 2007,[35] released on December 25, 2006. [36] References[edit] ^ a b c "Official Website for Naoki Urasawa's 20th Century Boys". Viz Media. Archived from the original on April 13, 2020. Retrieved October 26, 2017. ^ "20世紀少年". Toho (in Japanese).
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