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^ a b Ebert, Roger (19 March 2000). "Grave of the Fireflies". RogerEbert. com. Ebert Digital LLC. Archived from the original on 8 May 2013.

Fantastic Four: World's Greatest Heroes and Code Lyoko, both produced in France by MoonScoop. Code Lyoko includes a Japanese girl as one of the main characters, perhaps as a way of acknowledging its anime influences. Code Lyoko uses a similar artstyle while trying to be different (notably with less exaggerated expressions than most animesque series), and was inspired by Serial Experiments Lain. The pilot, Garage Kids, is even more inspired by anime, when it comes to it's animation, plot and includes even more blatant Serial Experiments Lain influences. Fantastic Four: World's Greatest Heroes's overall art style (characters, fights, animation, places) is also influenced by Japanese animation. Miraculous Ladybug, a co-production between French studio Zagtoon and (to no surprise) Japanese studio Toei Animation. The heroine is a Chinese-French Magical Girl who relies on anime-styled transformation sequences; this also applies to Adrien Agreste (Cat Noir) and the characters who become superheroes in the subsequent seasons. It was originally even more anime-like before becoming an All-CGI Cartoon. The original trailer is often compared to Pretty Cure/Glitter Force and featured the protagonist with a huge Idiot Hero, which the anime concept was a complete success. The finalized cartoon is in CGI but still keeps a lot of its Japanese influences (for example, in some of Marinette's trains of thought, her mental images are drawn in the style of black-and-white manga). The 2007 adaptation of Valérian called Time Jam: Valerian & Laureline is another.

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He acts as an ally and uses his knowledge of their species to manipulates Yugo into seeking the Dofus of his dragon sister, Shinonome. Qilby's true plan is to steal back the Eliacube and drain the Wakfu of the planet to power his ship to explore the Krozmos with his brothers and sisters. Qilby is revealed to have once been imprisoned in an empty, timeless dimension by a previous incarnation of Yugo as punishment for betrayal. It was Qilby who orchestrated a war with a robotic species called the Mechasms, resulting in the deaths of many eliatropes and the need for them to abandon their original world. Cunning and conniving, Qilby nearly succeeds but is defeated by a combined effort by Yugo, the last remaining eliatrope children, and the unborn Shinonome. Separated from the Eliacube, he is imprisoned in the same timeless dimension by Yugo. Prior to Qilby's defeat, he reveals that unlike the rest of his siblings, Shinonome and he do not lose their memories upon reincarnation, and instead have perfect recollection of all Eliatrope history. After many millennia, the weariness of living without novelty drove Qilby to desperation bordering madness, and he used the war to help his people advance into space. Qilby holds a high regard for his species and even his siblings, in spite of his antagonistic actions nearly wiping them all out. Shushus[edit] The Shushus are a species of demons that appear to have originated from an mysterious purgatory-like dimension, they have magical powers that can possess inside of people & inanimate objects Rushu Voiced by: Marc Alfos (French) [fr]; Jimmy Hibbert (English) The tyrannical king of all Shushus. a colossal 10-meter tall fiery demon, he is the one that has mostly been destroyed down to rock and ash and is looking for a way to enter the World of Twelve, so full of light and life, that he and his demons can keep destroying things. 8. "『SLAM DUNK』が追求したリアリティと『黒子のバスケ』が放つエンタメ性 両者の違いを考察". Real Sound (in Japanese). Archived from the original on November 5, 2020. Retrieved February 16, 2023. ^ Koulikov, Mikhail (October 3, 2007). "First Slam Dunk Basketball Scholarship Awarded". Anime News Network. Archived from the original on January 14, 2015. Retrieved January 13, 2015. ^ Loo, Egan (June 9, 2010).