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Transliteration: "Namae no Nai Otoko" (Japanese: 名前のない男)Tōru TakahashiKazuyuki FudeyasuSeptember 14, 2005 (2005-09-14)September 6, 2010 Lunge finds Roberto at the Hotel Bergbach, but is shot. As the Henichs and Wim mourn Grimmer's death, Tenma reads the letter which was written by Bonaparta. Bonaparta confesses that he fell in love with the mother of the twins and had a change of heart, so he killed everybody at the mansion who knew about the experiment. Tenma and Bonaparta walk towards the Bergbach Hotel and Bonaparta says that he visited the Lieberts on the night of their murders to see the children and was aware of what happened later.
The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. The whole show feels like a stage play, with the characters feeling like actors, the dialogue bouncing off each character with such ease, the general flow of the story just so fantastic. The art and animation itself isn’t particularly pretty, and I suspect the budget for this show wasn’t huge at all, but Omata’s directing really elevated the show’s quality to greater heights, as there’s just a distinct uniqueness about how the show looks. The camera work and the storyboarding really embodied a style that felt “extravagant”, suiting the show’s setting very well. Furthermore, it has a sense of rakugo in it, and you can tell that Omata’s previous directing endeavours helped shape the way this show was directed as well.