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^ Green, Scott (December 27, 2015). ""Silent Voice" Anime Movie Listed For Fall 2016". Crunchyroll. Archived from the original on July 4, 2017. Retrieved April 8, 2016. ^ a b "A Silent Voice Anime Film's Visual, Teaser Video, Release Date, More Staff Revealed". Anime News Network. April 8, 2016. Archived from the original on January 25, 2017. Retrieved April 8, 2016. ^ "aiko to Perform A Silent Voice Anime Film's Theme Song".

charts with 45. 7 million streams and 24,000 copies sold outside the U. S. "Idol" has become the first Japanese song and anime song to top the Billboard Global chart as well as taking the first spot on the Apple Music's Top 100: Global chart. [79][80] The anime adaptation received positive reviews. Lauren Orsini of Anime News Network wrote in her review of the premiere that Oshi no Ko "offers a potent combination: the glitz of the industry and the gritty darkness just underneath—and I'm certain we haven't even scratched the surface. "[81] Ali Griffiths of Digital Spy praised the series' depiction of the production of dating shows and Akane's cyberbullying, describing Oshi no Ko as a "compelling watch". [82] In contrast, David Opie of Radio Times felt that the anime had changed its content and impact compared to its premiere episode, writing: "the show no longer stands out as unique in the same way that the first episode did. "[83] Awards and nominations[edit] Year Award Category Recipient Result Ref. 2023 MTV Video Music Awards Japan Video of the Year "Idol" by Yoasobi Nominated [84] Best Animation Video Won [85] Song of the Year Won 13th Newtype Anime Awards Best Character (Female) Ai Hoshino 5th place [86] Ruby Hoshino 9th place Best Voice Actor Rie Takahashi 2nd place Best Theme Song "Idol" by Yoasobi 2nd place U-Can New Words and Buzzwords Awards New Words and Buzzwords Awards Oshi no Ko Nominated [87] "Idol" by Yoasobi Nominated Yahoo! Japan Search Awards Anime Category Oshi no Ko Won [52] Music Category "Idol" by Yoasobi Won Billboard Japan Music Awards Hot 100 Won [88] Most Streaming Songs Won Most Downloaded Songs Won Hot Animation Won Top User Generated Songs Won TikTok Weekly Top 20 2nd place IGN Awards Best Anime Series Oshi no Ko Runner-up [89] Internet Buzzword Awards Grand Prize Oshi no Ko Won [90] TikTok Trend Awards Music Category "Idol" by Yoasobi Won [91] Reiwa Anisong Awards Best Work Award Won [92][better source needed] Best Anime Song Award Won [93][better source needed] AT-X Top Anime Ranking Oshi no Ko Won [94] AT-X 25th Anniversary Favorite Series 3rd place [95] Recommended Series 7th place Favorite Anisong "Idol" by Yoasobi Won 65th Japan Record Awards Best Composition Award "Idol" by Yoasobi[b] Won [96] 2024 8th Crunchyroll Anime Awards Anime of the Year Oshi no Ko Nominated [97] Best Director Daisuke Hiramaki Nominated Best Supporting Character Kana Arima Nominated Best New Series Oshi no Ko Nominated Best Drama Nominated Best Character Design Kanna Hirayama Nominated Best Art Direction Tetsuya Usami Nominated Best Score Takuro Iga Nominated Best Opening Sequence "Idol" by Yoasobi Nominated Best Ending Sequence "Mephisto" by Queen Bee Nominated Best Anime Song "Idol" by Yoasobi Won Best VA Performance (French) Martin Faliu as Aqua Nominated Tokyo Anime Award Festival Animation of the Year (Television) Oshi no Ko Won [98] Best Music Yoasobi Won 19th AnimaniA Awards Best TV Series: Online Oshi no Ko Pending [99] Best Anime Song "Idol" by Yoasobi Pending Controversy[edit] The sixth episode of the anime, which depicts the character Akane Kurokawa becoming a target of cyberbullying and subsequently attempting suicide after starring in a controversial episode of a reality television program, was noted by critics for its parallels to a similar real-life case of the suicide of Hana Kimura, a Japanese professional wrestler. [100][101] Neither Akasaka nor the anime's production team commented on the similarity, and some viewers commented that the manga chapters on which the episode was based were planned prior to Kimura's passing.

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He met Kaku after he was revived and promised to fight again in a century. Godlike Clash of the Kids Saga[] Yuujirou visits Mohammad Alai and they talk about the outcoming fight between their sons. He tells Alai that Baki while not perfect yet he has his blood. He goes to the Underground Arena and announces the beginning of the fight. After Baki's victory, Yuujirou is challenged by his son. He gets excited and recognizes Baki as a his "prey", leaving the arena while he says to Mitsunari that he'll be waiting his call. He flies to Africa and fights against a lion. Hanma Baki[] Combat Shadow Fighting Saga[] While Yuujirou in Africa, a giant monstrous elephant was rampaging and killed 41 humans and 977 animals. After the elephant destroys the task force lead by Saman, Yuujirou shows up and kills the elephant very easily, right after this he leaves and goes to a "summer-house" and stays for a while. One day, Gerry Strydum visits him. Then, Yuujirou learns by Strydum about Baki's special training, and he laughs at this because of how "ridiculous" he finds that way of training. During Class Trial, the students try to solve the murder by discussing the evidence they have. The player plays several mini-games to progress the trial. The most common mini-game, Nonstop Debate, involves the player trying to refute the students' statements using Truth Bullets based on the evidence they collected during the Investigation mode. Unlike the series' main titles, Danganronpa Another Episode: Ultra Despair Girls, is a third-person adventure game in which the player controls Komaru Naegi and Toko Fukawa. Komaru has a Megaphone Hacking Gun with which to attack enemies, but which can also control enemies, activate machinery, and scan the environment for clues. Toko can use a stun gun to temporarily turn herself into Genocide Jack, who can attack enemies with scissors. Skills can be unlocked and equipped, which makes it easier to defeat enemies. Development[] The series originally began as an unpublished beta called DISTRUST, written by Kazutaka Kodaka, produced by Yoshinori Terasawa and with art by Rui Komatsuzaki. The game was inspired by movies such as Saw and Cube,[1] and the Sega Dreamcast game Illbleed. [2] The series' name, Danganronpa, is compounded from the words "bullet" (弾丸 dangan) and "refutation" (論破 ronpa), as the game blends shooting (with Truth Bullets) and crime investigation. Because visual novels were becoming less popular at the time, and because the PSP had a very small, competitive market, it was necessary to develop unique elements and combine genres which would not normally mix in order to make the game stand out.
For this series, he incorporates a variety of musical styles from jazz to rock to orchestral music and he does a commendable job of engaging the audience with his music, no matter what the scene called for. I especially like the OST being played during the action scenes as a combinations of drums, tribal chanting and rock goes with perfectly with the unhindered primal violence being shown on the screen.
Manga Adaptation
As with almost all adaptation from manga to the anime, some things are bound to get lost in transition and Akame ga Kill! is no exception. Character interactions that gave depth to their relationship are left out but those scenes didn't really contribute in significantly in altering the core plotline. It is only towards the latter half of Akame ga Kill! that readers of the manga will notice that that the rather straightforward adaption will suddenly veer off into the original anime ending territory that leaves behind an entire arc unanimated and takes several liberties with the story. If you are only familiar with the anime TV production, it is unlikely that you would notice much of difference other than the accelerated pacing and build up. At this point, the manga remains unfinished and if the show decided to stay its original course, it would have ended in an awkward state and would have had to wait years before additional material would be available. For a show to tell a complete story in an age where anime shows are mere primers for the source material is a rarity indeed.
Conclusion
In the end, Akame ga Kill! sets out what do what it promises and that is to smother the audience with super powerups, violence and death up until the very end. Reviewer’s Rating: 7 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by HelghastKillzone (14) Show allRead moreShow lessOpen Gift Report Dec 14, 2014 lollith Mixed Feelings One misconception in the anime industry is that when a show is dark and contains excessive amounts of gore. Many people automatically think the show is deep and thought provoking.