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"En garde! Redefinition of Nebela militaris (Arcellinida, Hyalospheniidae) and erection of Alabasta gen. nov" (PDF). Eur J Protistol. 66: 156–165. doi:10. 1016/j. electstud. 2020. 102274. ISSN 0261-3794. S2CID 233073202.

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[316] In his review of the second season, he gave it praise for the improvements to both pacing and animation. [317] Sam Leach of Anime News Network highlighted the 49th episode, which is the final battle between All Might and All For One. Leach wrote: "It was unavoidable that this was going to be a beautiful episode. That bloodied-up All Might is striking in either form, and you can tell they pulled out all the stops in making the big hits as intense and crazy as possible. From a pacing perspective, I'm really pleased with how this Bakugo Rescue arc played out. " He concluded: "This is My Hero Academia's proudest moment in the spotlight. Not only does it continue to be the darling of modern Shonen Jump with one of the mostly perfectly tuned anime adaptations a long-running series has ever received, this is an accomplishment of storytelling across the board. "[318] Marina Garrow from Anime Feminist praised the way the plot handles damsel-in-distress elements, especially when compared to other shōnen series, stating that the female characters are not the only characters that need saving, and when they do need saving, the situations are realistic and not overexaggerated. [319] Both the original Japanese cast and the English dub received praise from critics. Osborn applauded the casting choices and overall voice work, adding that [Izuku's voice actor] Daiki Yamashita is a "perfect fit" in the Japanese dub, while praising Justin Briner's performance in English as excellent and standout. [312] Creamer rated both equally, stating that the dub cast of the major characters generally fits their roles very well, though criticizing some of the background characters' performances. 5 June 23, 2023[55]978-4-04-682566-7—— 10 October 25, 2023[56]978-4-04-682985-6—— 11 February 24, 2024[57]978-4-04-683349-5—— Manga[edit] Classroom of the Elite[edit] A manga adaptation illustrated by Yuyu Ichino began serialization in Media Factory's Monthly Comic Alive magazine on January 27, 2016. It has been collected in twelve tankōbon volumes as of February 22, 2022. Seven Seas Entertainment has also licensed the manga and the first volume was released in February 2022. [58] No. Original release date Original ISBN English release date English ISBN 1 September 23, 2016[59]978-4-04-068550-2February 22, 2022[60]978-1-63858-130-7 2 January 23, 2017[61]978-4-04-069039-1May 10, 2022[62]978-1-63858-242-7 3 March 23, 2017[63]978-4-04-069120-6August 16, 2022[64]978-1-63858-599-2 4 July 22, 2017[65]978-4-04-069303-3November 1, 2022[66]978-1-63858-772-9 5 November 22, 2017[67]978-4-04-069532-7February 21, 2023[68]978-1-63858-964-8 6 April 23, 2018[69]978-4-04-069747-5May 23, 2023[70]978-1-68579-511-5 7 November 21, 2018[71]978-4-04-065321-1August 22, 2023[72]978-1-68579-548-1 8 June 22, 2019[73]978-4-04-065704-2November 7, 2023[74]979-8-88843-038-5 9 January 23, 2020[75]978-4-04-064297-0February 6, 2024[76]979-8-88843-210-5 10 August 20, 2020[77]978-4-04-064789-0April 30, 2024[78]979-8-88843-344-7 11 June 23, 2021[79]978-4-04-680382-5—— 12 February 22, 2022[80]978-4-04-681125-7—— Classroom of the Elite: Horikita[edit] A spin-off manga illustrated by Sakagaki and centered around the character Suzune Horikita was serialized in Monthly Comic Alive from June 2017 to May 2018. Its chapters were collected in two tankōbon volumes. [81] At Anime Expo 2022, Seven Seas Entertainment announced that they licensed the spin-off for English publication. [82] No. Original release date Original ISBN English release date English ISBN 1 November 22, 2017[83]978-4-04-069642-3July 4, 2023[84]978-1-63858-850-4 2 June 23, 2018[85]978-4-04-069825-0October 10, 2023[86]978-1-68579-934-2 Classroom of the Elite: Year 2[edit] A manga adaptation of the sequel light novel series illustrated by Shia Sasane began serialization in the Media Factory's Monthly Comic Alive magazine on December 25, 2021. [87] It has been collected in three tankōbon volumes as of February 2024. No.
[54] Some of these subjects are seen in male-targeted works of this period as well,[55][56] sometimes in combination with other themes, including mecha and science fiction. [57][58] Examples include series such as Kannazuki no Miko (2004–2005), Blue Drop (2004–2008), and Kashimashi: Girl Meets Girl (2004–2007). In addition, male-targeted stories tend to make extensive use of moe and bishōjo characterizations. [59] The publication of yuri magazines had the effect of nurturing a "yuri culture" that influenced artists to create works depicting female same-sex relationships. [30] Further, articles in these magazines contributed to the history of the genre by retroactively labeling certain works as yuri, thus developing "a historical canon of the yuri genre. "[60] Specifically, Verena Maser notes in her analysis of issues of Yuri Shimai, Comic Yurihime, and Comic Yurihime S published from 2003 to 2012 that eight of the ten most-referenced series in the magazines predate the 2003 formalization of yuri as a publishing genre: Apurōzu - Kassai (1981–1985), Sakura no Sono (1985–1986), Sailor Moon (1992–1996), Cardcaptor Sakura (1996–2000), Revolutionary Girl Utena (1997–1999), Maria-sama ga Miteru (1998–2012), Loveless (2002–present), and Strawberry Marshmallow (2002–present).