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8至尊戰警7. 1Hokuto no Ken5. 8惡魔咆哮4. 3Forced to Fight8. 2北斗之拳4. 3Stryker5.

September 28, 2023. Retrieved October 6, 2023 – via YouTube. ^ "Dai Ichi-wa "Haru to Hajimari" 2023. 9. 28 yori Junji Hōsō|Anime "Ojō to Banken-kun" Kōshiki Saito" 第一話「春とはじまり」2023. 9. 1/10 (433)RateS3. E11 ∙ Nothing is leftWed, Dec 13, 2023Mikey arrives at pier with Draken. He fights Izana in an epic battle. 8. 7/10 (301)RateS3.

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get me started on the double standards of the return by death bullshit. Subaru is hailed as a protagonist who differs from other isekai protagonists by not being overpowered, and yet he has an OP power that nobody can counter. And if pain is a lot worse than death, which is why (supposed) he is not using it actively for resetting the plot every time he messes up, then why is he willingly ending himself? The big fuss everybody was yapping about during the first season was how painful it is every time he dies and therefore he does his best not to die. And here he is abusing that power by ending himself so he will not have to suffer through the negative consequences. It’s the definition of a copout.
And even then, why is he not ending himself every time he messes up? Sometimes he does, sometimes he doesn’t. It’s almost as if he never learns and has no specific mindset so that the author can use him however he likes instead of how he should be acting. Or, in a more sinister way, Subaru forgets to off himself so a lot of gratuitous and otherwise needless goreporn can fill half the episodes. There is a hilarious scene he gets eaten alive by bunnies. I repeat, bunnies! L O L, where did that come from? Oh well, it’s something new and completely changes the plot because time resets when Subaru dies. Something he couldn’t do himself by just killing himself. Archived from the original on August 21, 2022. Retrieved August 20, 2022. ^ 『アサシン クリード ヴァルハラ』×『ヴィンランド・サガ』コラボ記念特別インタビュー。作者・幸村誠先生がヴァイキングの魅力を語る。「筆を勢いよく走らせられる」のがヴァイキングを描く楽しさ. Famitsu. Archived from the original on August 21, 2022. Retrieved August 21, 2022.
[96] Carl Kimlinger from Anime News Network described the first two episodes of the anime adaptation, saying, "It's hard to say what kind of show Titan would be without the operatic over-direction of Tetsuro Araki, but with him in charge, it's a clenched fist of a series: always tensed up to strike and prone to bludgeoning us when it does. "[97] Other critics from Anime News Network praised much of the series. Rebecca Silverman said it "is both gorgeous and appalling in its visuals," and "an excellent mix of what 18th century Gothic novelist Ann Radcliffe defined as horror versus terror: the one is physical, making you want to look away, and the other is intellectual, making you want to know what's going to happen next. "[98] Carlo Santos noted that "few [apocalyptic action shows] get as close to perfection as Attack on Titan does". Santos described it as "a masterpiece of death and destruction" after watching only the first episode. [99] Theron Martin of Anime News Network praised the musical score and the "intense, impactful first episode" despite his feeling that it has "limited animation".