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Souta explains that the portal within the door leads to the Ever-After, a place where souls go after death. After tracking Daijin to Tokyo, Souta asks
Suzume to take them to his apartment. There he explains the legend of the worm Namazu, and that he is the last descendant of a family that, for many generations, had been responsible for locking all the doors that lead to the Ever-After. He says that there are two keystones that seal the worm: the western keystone has become Daijin, while the location of the eastern keystone is unknown. He warns that if the worm tries to emerge in Tokyo, it could cause an earthquake of the same magnitude as the 1923 Great Kantō earthquake. Suzume notices the worm emerging again, and the two
follow it. The worm takes a huge form in the sky and the two fly over it. Daijin reappears and reveals he has passed on his function as a keystone to Souta. Souta suddenly turns into a keystone and Suzume
reluctantly uses him to lock-up the giant worm. Suzume wakes up at a shrine housing the Tokyo gate, where she sees Souta in the Ever-After, but is unable to enter the door. Daijin appears and Suzume gets angry at him and tells him not to come back.
"Top 25 Best
Anime Series of All Time". IGN. Archived from the original on January 4, 2023. Retrieved November 4, 2023. ^ "The 25 Essential Anime Series To Watch Now". Archived from the original on May 13, 2022. Retrieved May 13, 2022. ^ Hodgkins, Crystalyn (June 10, 2022). "Blue Lock Anime
Casts Junichi Suwabe". Anime News Network. Archived from the original on June 10, 2022.
[180][50] The show has received review by critics, academics and sociologists alike, including by Susan J. Napier, William Rout, Mick Broderick, Mari Kotani,[181] Shinji Miyadai,[182] Hiroki Azuma,[51] Yuriko Furuhata, and Marc Steinberg. [183] The series has
been described as both a critique and deconstruction of the mecha genre. [8][184] Japanese critic
Manabu Tsuribe considered that Evangelion was "extremely interior and is lacking in sociality, so that it seems to reflect pathology of the times. "[185] Anime News Network's Martin Theron described the character design as "distinctive, designed to be sexy rather than cutesy", and the mecha designs as "among the most distinctive ever produced for an anime series, with sleek, lithe appearances that look monstrous, fearsome, and nimble rather than boxy and knight-like". [186] Mike Crandol stated "It no longer seems contrite to say that Evangelion is surely one of the all-time great works of animation".
