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09. [69] Three volumes of the manga were published in Japan. [70] The second spin-off of the series by Maruko Nii, titled Girls und Panzer: It's More Love Love Operation! (ガールズ&パンツァー もっとラブラブ作戦です!, Gāruzu ando Pantsā Motto Rabu Rabu Sakusen Desu!), began serialization by Media Factory in Monthly Comic Alive magazine on May 27, 2013. [71] The first volume was published in Japan on October 23, 2015. [72] As of September 22, 2023[update], a total of 20 volumes have been published. [73] A spin-off of the series by Takeshi Nogami and Takaaki Suzuki, titled Girls und Panzer: Ribbon Warrior (ガールズ&パンツァー リボンの武者, Gāruzu ando Pantsā Ribon no Musha), features a new heroine (Shizuka Tsuruki) and was serialized by Media Factory in Monthly Comic Flapper magazine from September 5, 2014,[74] to March 5, 2021.

It had a solid premise, good comedy, . and was animated by studio White Fox, a rather top-tier studio. When Season 2 was announced, and that there was a studio change, to Studio 3Hz, I was skeptical, but of course I’d give it a try. The character designs were certainly a step down from Season 1 (which already didn’t have the greatest designs), and with time, the animation degraded immensely. It wasn’t just the production that took a nosedive though, the plot did too, and it became quite the snoozefest at times.
My grading criteria: Story: /25 Art: /10 Music: /10 Characters: /20 Enjoyment /15 Thematic Execution /20
STORY: 7. 5/25
Was this show always this slow and was it really a slice-of-life? There were a few interesting plot points to be explored, but they never really went to solid detail with them. There was the introduction of a new character, Alas=Ramus, who was the new Anya Forger of the season in her cuteness, but where she came from, and who she really is wasn’t really explored well. I remember that Season 1 at least had some fight scenes and villains, but in this season, there was barely anything going to advance the plot, a lot of meandering, random romance elements, and not enough mention of Heaven or Ente Isla to keep things intriguing.

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Conversely, American and Australian audiences were more likely to perceive the decision as unwise. [63][64] Accolades[edit] Year Award Category Recipient Result 1989 Blue Ribbon Awards Special Award Isao Takahata Won 1994 Chicago International Children's Film Festival Animation Jury Award Won Rights of the Child Award Won Derivative works[edit] Planned follow-up[edit] Following the success of Grave of the Fireflies, Takahata drew up an outline for a follow-up film, based on similar themes but set in 1939 at the start of the second World War. This film was called Border 1939, based on the novel The Border by Shin Shikata, and would have told the story of a Japanese teenager from colonial Seoul joining an anti-Japanese resistance group in Mongolia. The film was intended as an indictment of Japanese imperialist sentiment, which is briefly touched upon in Grave of the Fireflies. Although Takahata finished a full outline (which is republished in his book Thoughts While Making Movies), the film was canceled before production could start due to the 1989 Tiananmen Square protests. Public opinion in Japan had turned against China, and Ghibli's distributor felt a film partly set there was too risky. [65] 2005 live-action version[edit] Main article: Grave of the Fireflies (2005 film) NTV in Japan produced a live-action TV drama of Grave of the Fireflies, in commemoration of the 60th anniversary of the end of World War II. The drama aired on 1 November 2005. Like the anime, the live-action version of Grave of the Fireflies focuses on two siblings struggling to survive the final months of the war in Kobe, Japan. Unlike the animated version, it tells the story from the point of view of their cousin (the aunt's daughter) and deals with the issue of how the war-time environment could change a kind lady into a hard-hearted woman. It stars Nanako Matsushima as the aunt, as well as Mao Inoue as their cousin. Il vous propose un abonnement avec le site payant ADN pour regarder quelques animes. Le chatbox est très actif de la part des membres et vous pouvez vous faire de nouveaux amis. La recherche d’animes sur Gum-Gum est assez facile. Le site met à votre disposition un filtre par ordre alphabétique pour chaque section. Vous pouvez par exemple chercher un film ou un anime en VOSTFR et le trouver directement. Le site est rapide et les vidéos se chargent rapidement.
So it has Shōjo-inspired character designs in which the Cast Full of Pretty Boys are all Noodle People with angular yet realistic features and unique, often spiky hairstyles (when they're not Long-Haired Pretty Boys). It also makes heavy use of essential Yaoi tropes. The two main characters are the sensitive, feminine Uke and his aggressive, dominant Seme Fetishized Abuser. Star Impact has been described by creator Jack McGee as "a love letter to shounen action and sports anime", and comes complete with odd eye and hair colors being commonplace. Star of Destiny's art style is heavily influenced by anime and manga. The comic is even read from right to left like manga, which the writer of it has deemed enough to label it a "webmanga". Ten is a German webcomic written in English and is made to read right to left. Likewise Terra, which leans more heavily on the Western influences but uses animesque faces, particularly on the women. Their Story is often mistaken for being Japanese or Korean, but it's a Chinese webcomic. Tove is a full color webcomic that often borrows elements of Japanese animation, particularly when a shocked Tove is drawn Chibi style. Unicorn Jelly and Pastel Defender Heliotrope have a unique but clearly SD take on its art.