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For example, in one episode they’re playing a game where they get to anonymously expose awful things about one another, and the live audience moves each of them closer toward final condemnation by voting for who they hate as they grow to dislike each of the characters based on what’s revealed about them. At one point, they enter a gambit where one character is presented with an opportunity to nominate another character to have something horrendous revealed about them by the showrunners. In other words, it’s not just some gossip being revealed by another character, but rather a piece of damning information which the organizers of the Tomodachi Game themselves have privately investigated with whatever resources they have at their disposal, implying, “Your friends may know some dirty shit about you, but we know EVERYTHING about you, including your deepest, darkest, most well-kept secrets. ” Immediately after this gambit is resolved, someone gives a fake piece of information about the person who was JUST EXPOSED in the gambit, that person insists the information is false, and Manabu, the hideous CG Front Man, says, “lol how do we know that’s fake information? Prove it, retard. ” AS IF HE DIDN’T JUST IMPLY THE PREVIOUS GAMBIT WOULD’VE ALREADY REVEALED HIS DARKEST SECRET! Every reveal is completely dependent on wherever God Yuichi is in whatever master plan he happens to be engaged in at any given moment, and if that means even the almightily showrunners themselves have to look surprised or incompetent, then so be it. Every character is made to be fooled, every rule is made to be broken, and everything is made to bend to God Yuichi’s sadistic, malicious will. There can only be one true edgelord to rule them all.
Then there’s the themes, which are not only pathetic, but also, perhaps unintentionally, weird and off-putting. Occasionally, one of the showrunners pretentiously applies a generic observation of human behavior onto some event which is only broadly relevant. Anyone who’s gone outdoors for three seconds of their fucking life and has interacted with humans for at least one of those seconds could conjure up similar commentary. Most of the time the characters being commented on are forced into the scenario anyway, and that leads into a more subtle issue with the show—and that’s how dishonest it is.

The federation seeks on quadrupling the sales of Japanese content in overseas markets within the upcoming 10 years. [185][186] A 2018 survey conducted in 20 countries and territories using a sample consisting of 6,600 respondents held by Dentsu revealed that 34% of all surveyed people found excellency in anime and manga more than other Japanese cultural or technological aspects which makes this mass Japanese media the 3rd most liked "Japanese thing", below Japanese cuisine (34. 6%) and Japanese robotics (35. 1%). The advertisement company views anime as a profitable tool for marketing campaigns in foreign countries due to its popularity and high reception. [187] Anime plays a role in driving tourism to Japan. In surveys held by Statista between 2019 and 2020, 24. 2% of tourists from the United States, 7. 7% of tourists from China and 6. 1% of tourists from South Korea said they were motivated to visit Japan because of Japanese popular culture. [188] In a 2021 survey held by Crunchyroll market research, 94% of Gen-Z's and 73% of the general population said that they are familiar with anime.

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Retrieved March 8, 2023. ^ Pineda, Rafael Antonio (March 8, 2023). "Frieren: Beyond Journey's End Anime's Promo Video Reveals Cast, Staff, Fall Premiere". Anime News Network. Archived from the original on March 8, 2023. Retrieved March 8, 2023. ^ a b c d Mateo, Alex (December 15, 2021). "Makoto Shinkai Reveals New Anime Film Suzume no Tojimari". Anime News Network. Archived from the original on December 22, 2021. Retrieved December 16, 2021. They also praised the grand soundtrack and director Shigeyasu Yamauchi's ability to stretch out the tension and chose the perfect places to stop an episode to keep audiences waiting for the next one. Clements and McCarthy did, however, find the series disturbing in that its main emotional impact comes from the audience seeing "older boys and men fighting brave but naive teenagers" and through victories earning more weapons. [122] Jason Thompson describes the series as being "almost pure battle". [2] Yaoi dōjinshi based on Saint Seiya popularized the term "yaoi" in 1987. [123] Saint Seiya was particularly popular as a subject in yaoi as it had a large cast which was predominantly male. This allowed "an incredible number" of pairings, although Andromeda Shun was one of the more popular characters to create yaoi for.