frenchsteeam josee the tiger and the fish
^ 「幽★遊★白書」~スーパーダンスミックス [Yū Yū Hakusho Super Dance Mix] (in Japanese). CDJournal. Archived from the original on November 23, 2011. Retrieved October 15, 2011. ^ 「幽遊白書」・最強ベストセレクション [Yū Yū Hakusho The Strongest Best Selection] (in Japanese). Archived from the original on April 19, 2023. Retrieved December 3, 2009. ^ "ポニーキャニオン - 幽☆遊☆白書 ~collective songs~" [Yū Yū Hakusho ~ Collective Songs ~] (in Japanese). Pony Canyon. Archived from the original on May 29, 2012. Retrieved December 3, 2009.More often than not, the season’s ideas feel like variations on things Diop has already tried. Part 2 lacks the slickness and novelty of Part 1’s episodic heists, but its story moves smoothly along a linear path, rarely meandering like its predecessor, and always twisting its narrative screws. The directorial duties this time are split between Ludovic Bernard (Chapters 6-7) and Hugo Gélin (Chapters 8-10), who help make the season more visually and emotionally engaging overall. The color palette rarely escapes Netflix’s all-too-frequently washed-out look, but the camera often matches intense moments with tight, unsettling framing, and romantic moments with telephoto portraits in free-flowing motion, all tied together by Mathieu Lamboley’s playful, jazzy score. Part 2 lacks the slickness and novelty of Part 1’s episodic heists, but its story moves smoothly along a linear path“Of course, these scenes are also elevated by Omar Sy’s performance. Where Diop was previously defined by his single-minded mission, he now balances fleeting moments of honest joy, stolen from some fantasy life he hopes to live with Raoul and Claire, with a constant awareness of the dire consequences putting that future in jeopardy.
[SMALL-TEXT]]