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When Akira reunites with his parents, he has a hard time repaying them. Elsewhere, it is revealed Akira's father has a wound. Meanwhile, another group in the village is completing a bucket list of their own. 10"Hometown of the Dead I"Transliteration: "Hōmutaun obu za Deddo Wan" (Japanese: ホームタウン オブ ザ デッド I)Sachiko KannoSachiko KannoDecember 25, 2023 (2023-12-25)[h]TBA As the quartet settles into Akira's village, they meet other survivors from the nearby city and slowly get to know them. That evening, Akira listens to his father talk about his dream of wanting to be an astronaut and how small world their really is once they get to explore more. Meanwhile, the other group led by Akira and Kencho's former university classmate, Kanta Higurashi, take down the barriers blocking the tunnel and soon lead the zombies to the village, causing havoc and terrorizing the villagers along the way.
The other character that gets the most screentime is probably the noble family daughter, which the show uncomfortably sets up as a romantic interest for Ryouma. They do try to justify this by saying that Ryouma’s mind is degenerating back to that of an eleven-year-old, which is pretty damn terrifying if you think about it. All the girl does though is fawn over Ryouma and talk about how she wants to “do her best” like any generic anime girl. I felt no connection to her or her relationship with the main character.
As for Ryouma himself, there wasn’t much hope for his personality. Being your average isekai protagonist means he can’t manage anything beyond generically “nice” or passive, lest the audience loses the ability to self-insert themselves into him for even a second. There’s some stuff about how he’s dealing with the traumatic experience of his previous life, but it’s only ever briefly mentioned and never gets explored as much as I wanted. Every so often it’d cut back to scenes of Ryouma’s previous life to show how it sucked compared his new one, and I’d actually get a bit more invested. I’d have liked if the show jumped back and forth between his two lives more often, but instead we had to watch him scrub a sewer or walk around some mines or something. It reminded me of Youjo Senki – where I was all on board for the theological pissing match between a cynical salaryman and “God”, but the show kept interrupting that with the forgettable magic WW1. 5 stuff.