le matricule des anges
Retrieved May 12, 2009. ^ "SLAM DUNK VOL. 1 DVD" (in Japanese). December 10, 2004. Archived
from the original on February 27, 2022. Retrieved May 13, 2009. ^ Loo, Egan (October 27, 2008). "Toei Animation Adds Anime to Crunchyroll Website Today". Anime News Network. Archived from the original on January 22, 2009. Retrieved May 12, 2009.
Kanami Anamizu (穴水 かなみ, Anamizu Kanami) Voiced by: Natsumi Fujiwara[5] Portrayed by: Seira Anzai[6] Isaki's athletic friend who is in the softball club. She has a crush on Hira-senpai of the baseball club. Kanami is often depicted as a strong tomboy but also has a cute side to her: hates ghost stories, likes sweets and love talk. Mina Nono (野々 三奈, Nono Mina) Voiced by: Sumire Morohoshi[5] Portrayed by: Honoka Kawasaki[6] Isaki's artistic friend who is in the art club. She has a younger brother in elementary school. Usako Kurashiki (倉敷 兎子, Kurashiki Usako) Voiced by: Mamiko Noto[5] Portrayed by: Yuki Sakurai[6] An alcohol- and cigarette-loving school nurse who is also the Astronomy Club's advisor, despite her zero
knowledge of the stars. However, she provides many valuable life lessons to the students and can be responsible when the time comes. Rui Haida (灰田 塁, Haida Rui) Voiced by: Shō Karino[5] A blonde high schooler who likes partying and playing around. He quit the baseball club shortly after matriculation. He has had relationships
before but seriously falls in love with Kanami. During the group's trip to Osaka, he confessed to Kanami but was rejected.
Another aspect of the protagonists' dynamic was inspired by buddy films. Maru's design was inspired by Kon Senpai. JoJo's Bizarre Adventure's eighth part, JoJolion, was another influence to the work. [17] In the beginning, Maru has feelings for Kiruko without
knowing that his bodyguard is a man inside a girl's body. Ishiguro called this premise as "transsexual sci-fi", alluding to the possibility of Maru still loving Kiruko despite knowing the truth. [19] In contrast to And Yet the Town Moves, Heavenly
Delusion employs a darker tone, most specifically the delusions children have. One of the children, Tokio, lives in a mysterious facility. She likes fantasy paintings drawn by her friend Kona and collects them. Kona can imagine things that he had never seen before. It overlaps with Ishiguro's statement that he is drawing delusions. At the end of the first volume, many of the plot threads have been laid out but in order to maintain the mystery theme, a few events are directly foreshadowed.
