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^ Robertson, Adi (July 5, 2019). "Akira is getting a 4K remaster and a new anime series". The Verge. Retrieved January 10, 2020. ^ a b c d e Brooks, Brad; Tim Pilcher (2005). The Essential Guide to World Comics.

The players and coaches seem to be self-aware of these abilities, yet they aren't at the same time. They are never implemented into the game plan at all. The abilities are often inconsistent, to the point where even the author doesn't know how they work. There is no consistency or use of strategy integrated within the abilities that add to the sport. You would think that, at least with the power system, the author would include this as a strategic way of playing through the basketball game, but even with these powers, there is still no strategy involved, and it is just random dunks with barely any planning or teamwork.
The author was attempting to mix normal basketball play with overpowered abilities, but this creates an infinite number of problems such as: If Midorima can shoot 100% from anywhere on the court (even full-court shots somehow, which is physically impossible), why don't they just set screens or create ball movement in order to get him more open? Why doesn't Kise just copy whatever ability he needs at any moment in time whenever he needs that exact ability? Why does Kuroko go unnoticed still even though people know that his quirk is going unnoticed? Why does Kagami's ability defy the laws of physics? Why is Aomine so overpowered to the point where he can seemingly do anything he wants? The author was attempting to still have the characters play normal basketball even with these broken abilities, but the author didn't realize just how much these abilities change the core function of how the sport is played. Instead of going all the way and changing it fully, he mixes it with traditional basketball, and he uses the abilities as a cheap way to let us know who the important characters are instead of being able to come up with actual crafty basketball skills that normal people have in real life.
Even the Coach has a random inhuman ability for no reason, which normally serves as plot convenience to use it as an excuse for her to know when Kagami should play or not whenever he gets injured. Instead of having a medical team like in real life and having to make a life-altering decision such as deciding whether to risk it all and play for the current time and risk making your injury career-ending or to suck it up and let it heal by ending the current season. Instead of being faced with tough decisions, the coach just magically knows exactly what Kagami's health status is and if he should continue playing or not. Why doesn't she become a doctor or something and actually do something more important than being a basketball coach with an ability like this? Could you imagine how helpful she would be? But no, she is just a basketball coach for a random school for some reason.

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[50] In November 2021, it was announced that the new project would be an anime television series. [51][52] It is directed by Tomohisa Taguchi and premiered in October 2022. [53][54] Films[edit] Main articles: Bleach: Memories of Nobody, Bleach: The DiamondDust Rebellion, Bleach: Fade to Black, Bleach: Hell Verse, and Bleach (2018 film) The series has spawned four animated films: Bleach: Memories of Nobody, premiered on December 16, 2006;[55] Bleach: The DiamondDust Rebellion, premiered on December 22, 2007;[56] Bleach: Fade to Black, premiered on December 13, 2008;[57] and Bleach: Hell Verse, premiered on December 4, 2010. [58] A live-action film adaptation premiered in Japan on July 20, 2018. [59] Light novels[edit] Tite Kubo and Makoto Matsubara have co-authored three novelizations of the Bleach series, which were published by Shueisha under its Jump J-Books imprint. The first volume, Bleach – Letters From The Other Side: The Death and The Strawberry, was published on December 15, 2004, and re-released as Bleach – Letters From The Other Side: The Death and The Strawberry - New Edition on November 4, 2009. [60][61] The second, Bleach: The Honey Dish Rhapsody, was published on November 30, 2006. [62] The third, Bleach: The Death Save The Strawberry, was published on September 4, 2012. [63] Two novelizations of the Bleach series have been co-authored by Narita Ryohgo. The first volume, Bleach: Spirits Are Forever With You, and the second, Bleach: Spirits Are Forever With You 2, were published on June 4, 2012. [64][65] After the series ended in 2016, a series of novels were released by Shueisha. So far it has only 'touched' on these subjects, alluding to or explicitly mentioning them as some kind of plot development that would be major in any well-written story, only to immediately move on to the next thing. These themes and subjects are used solely to evoke that 'butterfly'/'sinking' feeling in your stomach that you get when something really nightmarish happens to a character you like. And the subjects themselves are probably enough to elicit this type of feeling, but the author doesn't directly do anything for the reader to actually develop a large enough attachment to the characters for this to be possible. You might be thinking "but there's only 22 chapters! they'll go deeper!". If this was a valid point, I might agree, but I would argue back that it's the author's fault for writing these intended emotional kicks to the stomach in the first couple chapters. Even when you ignore the previously mentioned point, I would still disagree. There have been way too many instances in a 22 chapter sample size where the story just breaks from its path and starts a new one completely, only to randomly tie it in later. Also, based on this author's track record of cutting plot in favor of deplorable shit, don't be surprised when that same thing happens here. (also the pacing is just bad in general, everything moves really quickly, but lacks meaningful substance. )
- If you are looking for a romance manga that has hints of the previous two topics, read literally anything other than this.
There is nothing romantic about this story, whatsoever.