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[92] That same year, No Game No Life was the top ten selling light novel series with several of its books appearing in the top thirty selling volumes list. [93][94] Starting in its 2014 pool, the yearly magazine Kono Light Novel ga Sugoi!, listed the light novel and the protagonists of No Game No Life beginning in its polls;[95][96] in addition, the series ranked fourth in Sugoi Japan 2015 polls. [97] Seven Seas Entertainment's localization of the manga was able to reach The New York Times Manga Best Sellers and ICv2's charts. [98][99] The anime series saw similar success and its home media made appearances on Oricon's weekly selling charts. [100][101] In April 2014, No Game No Life was one of the top recorded anime series on Sony's Torne;[102] a poll by AT-X ranked the series as one of 2014's top anime series. [103] Anime News Network had four editors review the first episode of the anime: Carl Kiminger, Rebecca Silverman, Theoron Martin, and Hope Chapman. [104] Opinions summarized: Kimlinger enjoyed the premise and the concepts of games as battles; Silverman and Martin disliked the characters; and Chapman expressed absolute disdain, writing "nothing has made me roll my eyes, gag, or feel more irrationally angry this season than this insulting self-insert pandering trash heap". Carl Kimlinger continued the series, and published a positive review for the anime. [105] He wrote that the premise presented many flaws but were balanced out by other aspects: Sora and Shiro's "over-powered hero" archetype is balanced out by their flawed lifestyles, motives, and their "visible delight in crushing their enemies"; Stephanie Dola's mistreatment with gags and Sora and Shiro's growing respect towards her; and the harem aspect with Sora's apathy and interesting female characters. Regardless, Kimlinger praised the plot's "big games", calling them the reason to watch the series and described them as "steeped in trickery and strategy"; he added that despite knowing the protagonists would win, the fun is seeing how they do it. Kimlinger wrote the over-saturation art style will be an acquired taste for most viewers and praised how the animation really shines during the "big games", calling it an impressive display of fluidity and timing.

Encyclopedia of Japan. Tōkyō: NetAdvance Inc. ^ "-さん | definition in the Japanese-English Dictionary - Cambridge Dictionary". dictionary. cambridge. org.

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Retrieved 2010-11-13. ↑ Spencer (March 30, 2012). "Hunter X Hunter Wonder Adventure Lets You Switch Fight With Fists Or A Skateboard". Siliconera. Retrieved April 3, 2012. ↑ キャラクター紹介 [Character Index] (in Japanese). Nintendo. Retrieved 2010-11-13. ↑ "JUMP ULTIMATE STARS" (in Japanese). Nintendo. Retrieved 2010-11-13. Naver Book Database. Retrieved July 27, 2023. ^ 이두나 2 [Doona! 2]. Naver Book Database. Retrieved July 27, 2023. ^ 이두나 3 [Doona! 3]. Naver Book Database. Retrieved October 9, 2023. ^ 이두나 4 [Doona! 4]. Naver Book Database. Retrieved November 22, 2023.

Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [171] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [172][173] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [174] While Rika Takahashi of EX. org and Claude J. Pelletier of Protoculture Addicts found the art style in Hunter × Hunter to be much simpler than Togashi's two previous serializations, Level E and YuYu Hakusho, both reviewers appreciated the intricate narrative and characters.