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Mina (ミーナ) Voiced by: Aya Hisakawa[2] (Japanese); Lisa Ortiz[7] (English) The artificial intelligence running the facility. Yuuko Aoshima (青島 裕子, Aoshima Yūko) Voiced by: Atsumi Tanezaki[12] (Japanese); Jennifer Sun Bell[7] (English) A nurse and interpreter in the facility who gets promoted to assistant director. Sawatari (猿渡) Voiced by: Tadashi Mutou[12] (Japanese); Nick Martineau[7] (English) A doctor working in the facility. The Outside[edit] Robin Inazaki (稲崎 露敏, Inazaki Robin) Voiced by: Kazuya Nakai[12] (Japanese); Eric Vale[3] (English) Kiruko's childhood friend and a sort of mentor who went missing years ago. Totori (トトリ) Voiced by: Misato Matsuoka[13] (Japanese); Deneen Melody[7] (English) Totori is a young girl who works with bandits in trapping and robbing people. Mizuhashi (水橋) Voiced by: Seiko Tamura[12] (Japanese); Marcy Edwards[3] (English) Mizuhashi is the leader of the Liviumen cult, who are disgruntled by technology replacing their body, supposedly in the name of human experiments. Kuwata (桑田) Voiced by: Yutaka Aoyama[12] (Japanese); Brook Chalmers[3] (English) Kuwata is Mizuhashi's right-hand man, who has an agenda of his own. Juichi (ジューイチ, Jūichi) Voiced by: Shunsuke Sakuya[14] (Japanese); Jonah Scott[7] (English) A scavenger and con artist with a dark past who encounters Maru and Kiruko during their travels. Production[edit] Development[edit] Yumeno Kyūsaku was a major influence to Ishiguro's work in the manga After leaving the manga magazine Young King OURs due to a writer's block, Masakazu Ishiguro started drawing Heavenly Delusion with unintentional similarities to his favorite work, Akira, such as the postapocalyptic setting and the dynamic of Maru and Kiruko. Ishiguro aims to write "evil" properly with his manga in contrast to his previous work, And Yet the Town Moves. In this case, humans who no longer feel like actual people.

Archived from the original on August 8, 2014. Retrieved August 4, 2014. ^ "Police Investigate Pennsylvania Boy Over 'Death Note'". Anime News Network. February 7, 2015. Archived from the original on February 19, 2015. Retrieved October 15, 2021. ^ a b "Shinichiro Watanabe at Detroit Film Theatre". SpookHouse. February 8, 2006. Archived from the original on April 30, 2006.

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touka

I know a lot of casuals are going to say it moved a lot forward by constantly feeding you with new information and more revelations, even if the actual plot is not going anywhere. It’s building up the setting! It’s unraveling the mystery! It’s digging into the mindset of its characters! Yeah, all those are done through talking. The dialogues are ridiculously long and tedious, and worse of it all is that they get erased every time Subaru resets time. If talking is all there is to the mystery and the characters, then the show sucks.
By the way, it’s insane how this lack of content makes many pretentious overthinkers to write essays that are longer than the show itself. I found 45 minute long videos about episodes where the only thing that happens is waifus infodumping boring shit. The absence of plot lets the pretentious overthinkers to talk about whatever bullshit comes to mind. Because as Peter Griffith has taught us “A boat is a boat, but a mystery box can be anything”. Lesson of the day. The less plot your show has, the more people will talk about it in order to add the plot that should have been there from the start.
Regarding the suffering, dear lord, it’s tortureporn of the highest caliber. All rights reserved. | Terms and Conditions | Privacy Policy | DMCA Vagabond (manga) - Wikipedia Jump to content Main menu Main menu move to sidebar hide Navigation Main pageContentsCurrent eventsRandom articleAbout WikipediaContact usDonate Contribute HelpLearn to editCommunity portalRecent changesUpload file Search Search Create account Log in Personal tools Create account Log in Pages for logged out editors learn more ContributionsTalk Contents move to sidebar hide (Top) 1Summary 2Production 3Release 4Reception Toggle Reception subsection 4. 1Critical response 5Notes 6References 7External links Toggle the table of contents Vagabond (manga) 22 languages العربيةCatalàDeutschEestiEspañolفارسیFrançaisGalego한국어Bahasa IndonesiaItaliano日本語PolskiPortuguêsРусскийSuomiSvenskaไทยTürkçeУкраїнськаTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Japanese manga series VagabondFirst tankōbon volume cover, featuring Musashi Miyamotoバガボンド
(Bagabondo)GenreEpic[1][2]Historical[3][4]Martial arts[5] MangaWritten byTakehiko InouePublished byKodanshaEnglish publisherAUS: Madman EntertainmentNA: Viz MediaImprintMorning KCMagazineMorningDemographicseinenOriginal runSeptember 3, 1998 – May 21, 2015 (on hiatus)Volumes37 (List of volumes) Vagabond (Japanese: バガボンド, Hepburn: Bagabondo) is a Japanese epic martial arts manga series written and illustrated by Takehiko Inoue. It portrays a fictionalized account of the life of Japanese swordsman Musashi Miyamoto, based on Eiji Yoshikawa's novel Musashi. It has been serialized in Kodansha's seinen manga magazine Morning since September 1998, with its chapters collected in 37 tankōbon volumes as of July 2014. Viz Media licensed the series for English release in North America and has published the current 37 volumes as of April 2015. The series has been on an extended hiatus since May 2015. By December 2012, the manga had over 82 million copies in circulation, making it one of the best-selling manga series of all time. In 2000, Vagabond won the 24th Kodansha Manga Award for the general category, as well as the Grand Prize of the sixth Tezuka Osamu Cultural Prize in 2002. Summary[edit] The story starts in 1600, in the aftermath of the decisive Battle of Sekigahara. Two 17-year-old teenagers who joined the losing side, Takezō Shinmen and Matahachi Hon'iden, lie wounded in the battlefield and pursued by survivor hunters.