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So brutal, that had the film been made as a live-action, could easily have crossed the line from harrowing to simply unbearable for most. In this, Grave of the Fireflies showcases the power of animation, where the most grotesque scenes are offset with accompanied visuals that are beautiful, evocative and aesthetically pleasing. Graphic displays of burned bodies and malnourished children never come off sadistic, but certainly leave their mark on the viewer. It’s a movie that whilst easily stands out from the typical Ghibli picture, arguably could not have been produced by any other studio. Breath-taking landscapes, delightful character designs and a keen attention to detail are lucid across its runtime, constantly emphasizing the smaller moments just as much as the larger ones. It takes a special group on staff to pour so much effort into each scene, having managed to hold up over 30 years since its release. They did a remarkable job, especially when realizing this was being produced alongside Ghibli’s other feature film at the time, My Neighbor Totoro. Both impressive in their production, but ironically have conflicting views on innocence; where Totoro celebrates the blossoming times of childhood, here those wonders are short-lived; slowly crushed under the weight our leads are burdened with.
A brief overview of the synopsis would give the impression that Grave of the Fireflies is first and foremost an anti-war film, depicting the harsh nature and consequences of conflict for the audience to bear witness to. Takahata actively denied this notion, saying he intended the film as a glimpse into lives affected from society failing to protect its own people. Originally published in 1967 as a semi-autobiographical work, author Akiyuki Nosaka wrote Grave of the Fireflies as an apology.

The lead female has absolutely no personality besides being cute and emotionless. Without any depth to her character and by being brainwashed so she will forever be docile and obedient, she ends up being more of an object than a character. Not only that, she ends up being waifubait for the thirsty audience than a character you can care about or respect. It can also get very annoying when the single trait of a character is presented in an over the top manner. Many viewers dropped the show when the scared stereotype named Zenitsu was introduced. The only thing this guy was doing was being obnoxious, loud, and terrified by everything and everyone.

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3-Otakufr Otakufr. co reste toujours l’un des sites les plus populaires pour le streaming d’animes en VF et en VOSTFR. Archived from the original on February 19, 2009. Retrieved June 21, 2008. ^ 『ソウルイーター モノトーン プリンセス』の予約特典が判明. Dengeki Online (in Japanese). July 16, 2008. Archived from the original on March 1, 2022. Retrieved March 1, 2022. ^ a b "Soul Eater official website" (in Japanese). Square Enix. Archived from the original on March 4, 2016. Retrieved September 27, 2010.