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[75] Music See also: Anime composer and Anime song Japanese composer Kajiura Yuki, known for her musical contributions to the soundtracks of several popular anime series such as Demon Slayer: Kimetsu no Yaiba, Sword Art Online and Puella Magi Madoka Magica The opening and credits sequences of most anime television series are accompanied by J-pop or J-rock songs, often by reputed bands—as written with the series in mind—but are also aimed at the general music market, therefore they often allude only vaguely or not at all, to the thematic settings or plot of the series. Also, they are often used as incidental music ("insert songs") in an episode, in order to highlight particularly important scenes. [77][better source needed] Future funk, a musical microgenre that evolved in the early 2010s from Vaporwave with a French house Euro disco influence, heavily uses anime visuals and samples along with Japanese City pop to build an aesthetic. [78] Since the 2020s anime songs have experienced a rapid growth in global online popularity due to their widened availability on music streaming services like Spotify and promotion by fans and artists on social media. [79] In 2023, the opening theme Idol by YOASOBI of the anime series Oshi no Ko topped the Billboard Global 200 Excl. U.One night, Sara asks Fuu if it is okay for either Jin or Mugen to accompany her during her destination, and Fuu chooses Jin, thinking Jin would refuse. However, much to her horror, Jin accepts and leaves with Sara. That night however, Jin is attacked by Sara on top of an old bridge. 21"Elegy of Entrapment (Verse 2)"
Transliteration: "Generous Elegy 2 / Hikakōgai sono ni" (Japanese: 悲歌慷慨 其之弐)Akitoshi Yokoyama[8]Shinji Obara[8]February 12, 2005 (2005-02-12)February 2, 2006 Sara overpowers Jin, but Jin cuts the bridge ropes, sending them into the river. The next day Fuu and Mugen find Sara, and Sara lies that she could not find Jin. While investigating, Mugen finds Sara's damaged instrument and cane, and realizes Sara is lying.