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Sat Blog | Adult Swim January 2016 ^ "Cowboy Bebop llega en enero a I. Sat - Anime, Manga y TV". www. anmtvla. com. Archived from the original on January 7, 2016.

[27] Although he came to like having two similar but different versions of the same story, he still felt too much of the original was cut out of the film. [27] Otomo is a big fan of Tetsujin 28-go. As a result, his naming conventions match the characters featured in Tetsujin 28-go: Kaneda shares his name with the protagonist of Tetsujin 28-go; Colonel Shikishima shares his name with Professor Shikishima of Tetsujin 28-go, while Tetsuo is named after Shikishima's son Tetsuo Shikishima; Akira's Ryūsaku is named after Ryūsaku Murasame. In addition, Takashi has a "26" tattooed on his hand which closely resembles the font used in Tetsujin 28-go. The namesake of the series, Akira, is the 28th in a line of psychics that the government has developed, the same number as Tetsujin-28. [26] One of the film's key animators was Makiko Futaki; she went on to become a lead animator for Studio Ghibli films such as Kiki's Delivery Service (1989), Princess Mononoke (1997) and Howl's Moving Castle (2004), before passing away in 2016. [28] Another key animator who worked on Akira was former Shin-Ei animator Yoshiji Kigami; he animated several entire scenes in Akira, such as the action scene in the sewers. He later joined Kyoto Animation. [29] Releases[edit] Box office[edit] Box office performance Territory Release(s) Distributor rentals Gross receipts Ticket sales Japan 1988 ¥750,000,000[30] ¥1,900,000,000[31] 1,699,463 (est. )[31] 1989–2000 ¥50,000,000[32] ¥120,000,000[31] 103,359 (est. )[31] 1988–2000 ¥800,000,000[32] Un­known Un­known 2005–2007 — ¥137,000,000[33] 111,253 (est.

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Except here the outcome was given from the start – they don’t.
From the minute the firebombing starts, viewers already have a clear enough sense of how this story plays out. With their home left in ruins and ripped away from their mother, what’s left is a tale of two kids still clinging onto one another alone in an uncharitable world, fending for themselves as best they can. But without a hopeful ending, it’s more akin to watching a slow death play out than otherwise. Director Isao Takahata makes these opening scenes count. In such a short span of time, he places the audience in a position where emotional attachment with the main characters feel genuinely crafted. We’re instantly drawn to Setsuko’s abundant wonder and childlike innocence, and likewise support Seita as he must transform into the parental figure his sister will need. We realise how food scarcity and a general lack of resources impacts them both above all others. And naturally, we can only feel sorry for the two. Their circumstance and untimely demise lie out of their control as both are reduced to mere numbers tallied to the body count their country holds.
For a film that illustrates a tragedy not suitable for most children, Grave of the Fireflies’ greatest strength lies in the fact that it exists as an animated feature. Retrieved October 18, 2013. ^ Loveridge, Lynzee (March 19, 2014). "Jojo's Bizarre Adventure Part 3's Opening Song & More Staff Named". Anime News Network. Retrieved April 4, 2021. ^ Ressler, Karen (September 12, 2014).