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After
dropping a quarter into Samurai Shodown II and selecting a character, you were presented with this brief background story: "Long, long ago, there were a man who try to make his skill ultimate. Because of his bloody life, it's no accident that he was involved in the troubles. " Everything else about the game was fine--perfect even--but those 30 words would cause a new phrase to be coined to refer to the kind of broken English that SNK's localization team would become known for throughout the years. That phrase was "SNKgrish," a play on the more commonly used "Engrish," which is a popular--albeit somewhat derisive--term for English phrases conjured up by nonnative speakers, typically
from Asian countries. Along with Samurai Shodown II in 1994, SNK released the first game in what would become the company's longest-running and most successful franchise: King of Fighters. King of Fighters '94 brought the various characters and storylines from the Fatal Fury and Art of Fighting games together into a new style of team fighting game. The company didn't know it at the time, but the team-oriented King of Fighters '94 would go on to spawn nine sequels. The basic play mechanics in KOF '94 were the same as in any other 2D fighting game, only now you could choose a team of three characters as opposed to a single individual fighter. When one of your fighters was knocked out, the next in line would take his or her place. To win, you had to knock out all three fighters on the other team. It sure sounds like a simple twist on a trite formula, but the teamplay aspect had players flocking to King of Fighters '94 in droves.
Akasaka said: "I want people to know how young talents are being hurt, exploited, and suffering. I think that this work also asks the question of how people should deal with and treat those talents. "[4] Many of the stories in Oshi no Ko are based on pieces of real-life events. [4] Akasaka stated that he considered his fundamental writing style to be that of Oshi no Ko and that the comedy in Kaguya-sama originated as a request from the editorial department. However, he included similar humor in Oshi no Ko to make it easier to read. [4] When writing, Akasaka sometimes became fond of certain characters and gave them larger roles in the plot, like in Mem-cho's case. [5] Art[edit] When Akasaka came up with the concept for Oshi no Ko, he immediately contacted artist Mengo Yokoyari as Yokoyari had dealt with the entertainment industry in her one-shot Kawaii before. The two had long been acquaintanced but had never worked together. When designing characters, Akasaka usually sends a rough sketch to the person in charge of the storyboards. He sometimes allowed Yokoyari to draw the designs as she pleased. The only time they changed a character design was when one of the characters looked too much like the real-life person they were modeled after.
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