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[45] The Fandom Post was drawn out by the writing of Inoue when reading the first manga volume, praising its large amount of content and whether or not Musashi is still capable of being a true warrior when interacting with the monk Takuan. [46] A similar comment was given by ComicBookBin with the reviewer claiming that his impression of Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion. [47] Another aspect praised by the same website was the lack of large amount of dialogue needed to describe the characters. [48] Peter Fobian of Crunchyroll commented that Slam Dunk's Hanamichi Sakuragi and Musashi are similar protagonists being young, egotistical prodigies, but that "Musashi is a force of nature. " He went to call Inoue's take on Musashi unique when compared to the ones often depicted in fiction. [49] Comic Book Resources praised the way Musashi addresses Bushido, the Code of the Samurai, which makes him honorable. [50] The story arc where Musashi tries to take care of villagers as it retains the handling of Bushido but without relying on action and using other types of strength, was praised for retaining its pacing. [51][52] Japan Times regarded Musashi's growth from the ruthless warrior to a wise monk warrior to be well executed across the narrative. [53] While comparing the manga with the original novel, William Scott Wilson, the author of The Lone Samurai: The Life of Miyamoto Musashi, noted that the manga is darker and more mature; yet, although "extraordinarily well drawn", it is "no substitute for Yoshikawa Eiji's work". [54] Los Angeles Times regarded Vagabond as a "samurai masterpiece" for the contrast it makes with the novel by deepening the characterization of Musashi and alternate take on the rival Kojiro. Another aspect praised by Los Angeles Times was how the protagonist makes philosophy about strength and his goal as the arc of the Yoshioka where the main character kills 70 men ends with him retaining severe wound on his foot that weakens him and makes him question what is being invincible.

It started serialization in Kodansha's seinen manga magazine Morning on September 3, 1998. [a] Kodansha has collected its chapters into individual tankōbon volumes. The first volume was released on March 23, 1999. [23] As of July 23, 2014, 37 volumes have been released. [24] In North America, Viz Media started publishing the manga in an American comic book format in December 2001;[25][26][27] 16 issues were released until March 2003. [28] Viz Media started releasing the manga in the regular graphic novel format in March 2002. [29][30] Their release retains the color pages from the series' magazine run. The 37th and latest volume was released on April 21, 2015. [31] Viz Media's release was distributed in Australasia by Madman Entertainment. [32] In 2008, Viz began re-releasing the series in a "VizBig" edition, which collects three of the volumes into one; the first volume was released on September 16. [33] The twelfth and latest one was released on April 21, 2015.

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Production[edit] At first, Kurumada planned to create a wrestling-themed manga as he enjoys writing individual sports rather than collective sports. [6] He was initially inspired by The Karate Kid (1984) to conceive a story about a young karateka named Seiya found by a karate master and his female assistant; however, his publishing department did not approve the idea. [7] Since he thought simple sports like judo or karate would not be interesting enough, he added aspects from Greek mythology and constellations to make it innovative. [6] However, the basic concept of Saint Seiya was to be a nekketsu manga with a "fashion" touch added by the Saint Cloths. After the quick cancellation of his previous work, Otoko Zaka, in 1984, this "fashion sense" was something Kurumada thought would be an aspect that would attract fans, making it different from his previous manga with simple high school uniforms. [8] Although they look like European medieval armors, Kurumada said his main inspiration for the Cloths was Hajime Sorayama's 1983 illustration book Sexy Robot. [6] Besides from fashion, the Cloths were created because Kurumada wanted characters to throw explosive sparks and the armors was a way to give them some protection. [7] Initially, he could not decide what type of armor it would be, considering even Buddhist kasaya; based on the Greek motif, he designed the actual Saint Cloths. [7] When Kurumada was in the process of creating Saint Seiya, he gave Seiya the name Rin at first, since Kurumada was going to title his manga "Ginga no Rin" (Rin of the Galaxy). However, as Kurumada continued developing his manga, he decided to change the name to Seiya, which was more fitting. First he spelled the name with the kanji that meant "Holy Arrow", to relate it to Seiya's condition as a Saint, but later decided to use the kanji that meant "Star Arrow", to emphasize the constellation and mythological motif. The characters all had a unique aspect to them. The settings of the anime were beautiful. The cities, and walls looked realistic, the plains that characters dreamed of seeing made me want to run outside to see for myself how beautiful nature really is, and how humans under appreciate the naturality of nature. The 3-D gear was something that really caught my eye, and will certainly catch other people's eyes as well. A new form of action that's never been seen before. The characters would literally fly from rooftop to rooftop slicing their swords at the titans at high-speeds that keep the viewers eyes locked onto the screen at all times.