yuyu hakusho toguro netflix
During his travels, Kintaro meets several women whose lives he
dramatically changes, despite poor first impressions. He constantly observes and studies the people and events around him, recording his findings in a notebook he carries on his belt. Parts of the manga were adapted into a six-episode original video animation (OVA) series produced by Shueisha and KSS in 1995. In North America, it was first licensed by ADV Films in 1996. ADV's license to the series expired in 2007 and was later acquired by Media Blasters. Media Blasters lost the license in 2012 and it was later acquired by Discotek Media. A sequel to the manga, Golden Boy II, was serialized in Business Jump from September
2010 to May 2011. Plot[edit] Kintaro is a freeter, and has done various jobs as he quests around Japan in pursuit of knowledge. His ventures include computer programming, housekeeping, teaching, the culinary arts, and most of all, studying. Kintaro is also often seen demonstrating the skills he has
learned in previous chapters to overcome challenges faced in the current one. He is also adept in martial arts, but does not fight unless he is angered, and
ordinarily just takes a beating.
Archived from the original on December 22, 2013. Retrieved
February 1, 2014. ^ Rezaee, Stan (December 16, 2020). "The Political Interpretations of Attack on Titan". 8Bit/Digi. Archived from the original on February 15, 2021. Retrieved January 18, 2018. ^ "TAAF2018 アニメファン賞は『ユーリ!!! on ICE』!". Tokyo
Anime Award (in Japanese). February 21, 2018. Archived from the original on December 24, 2019.
Year Media content revenue in Japan Notes[c] Ref 2013 ¥14,700,000,000 ($151,000,000) Physical and digital media [151] 2014 ¥13,000,000,000 ($123,000,000) Physical and digital media [152] 2015 ¥7,308,359,519 ($60,377,697) Physical media only [153] 2016 ¥3,845,406,579 ($35,346,117) Physical media only [154] 2017 ¥4,196,052,143 ($37,409,258) Physical media only [155] 2018 ¥3,137,123,693 ($27,968,544) Physical media only [156] 2019 ¥2,598,783,077 ($23,839,933) Physical media only [157] 2020 ¥2,460,695,769 ($23,045,707) Physical media only [158] 2013 to 2020 ¥51,246,420,780+ ($482,716,387+) Critical response Many have
analyzed Attack on Titan as representing "the hopelessness felt by young people in today's society". [2] Writer Mao Yamawaki called it a "coming-of-age story of the boys and girls at its core", with a new mystery every episode. It is these mysteries that critic Tomofusa Kure said amplifies readers' expectations. The artwork of the manga has been criticized as crude by some reviewers, with Isayama himself admitting his drawings are "amateurish". However, those same critics stated that after years of serialization, the art has been improving, and Kure believes that had the illustrations been "refined", it would not have conveyed the "eeriness" that is a key characteristic of the work. [2] In a short review, Jason Thompson noted how the characters conveniently receive "power-ups" to create plot
twists, but concluded that these plot twists and the manga's post-apocalyptic world are "too good to miss".
