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MenuExpandFilmSuzume is everything that’s beautiful and moving about Makoto Shinkai’s imaginationMakoto Shinkai’s Suzume is his most exuberant movie yet and a powerful rumination on holding space for the past. By Charles Pulliam-Moore, a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years. Apr 13, 2023, 3:30 PM UTCShare this story Image: CrunchyrollPart of /The best entertainment of 2023Each of director Makoto Shinkai’s animated films has told powerful, moving stories about people trying to connect with one another both because and in spite of larger-than-life forces in the world that could easily tear them apart. Suzume, Shinkai’s newest feature produced by CoMix Wave Films and distributed internationally by Crunchyroll, is no exception. But unlike some of Shinkai’s other recent critically acclaimed projects like Your Name and Weathering With You, there’s a striking directness to the metaphors at work in Suzume that gives it an unexpectedly potent punch.

2412"Ryoma and the Town of Gimul"
Transliteration: "Ryōma to Gimuru no Machi" (Japanese: リョウマとギムルの街)UnknownUnknownMarch 27, 2023 (2023-03-27) The festival begins and the music boxes designed by Ryoma are a success. Bamboo Forest's stall also runs smoothly to the point of the staff becoming shorthanded. Having predicted this, Carla and some employees from the Lenaf shop arrive to help. Ryoma takes a break to enjoy the festivities and while helping a lost young boy reunite with his mother, realizes how he has adjusted to life in Gimul. During the closing party, Ryoma performs with the Semroid troupe. To celebrate the occasion, Ryoma has two special music boxes prepared, keeping one of them and sending the other to Eliaria, who cannot wait to see Ryoma again.

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January 22, 2019. ^ "'Kingdom' returns for a second season in March 2020". Rappler. October 25, 2019. Retrieved October 26, 2019. ^ "Netflix Korean Zombie series 'Kingdom' grabs attention". The Korea Times. February 1, 2019. ^ a b c "Season 2 of Netflix's KINGDOM Begins Shooting in February". Korean Film Biz Zone. January 7, 2019.
“ The adaptation sucks because this quote from volume 7, page 46, paragraph 4, sentence 3 wasn’t said by Rudeus in episode 3!!”
This goes beyond Mushoku Tensei. In general, people need to realize that completely faithful adaptations are so rare because most series just don’t have time for that shit. If everything from volumes 7-9 was fully adapted, this season would’ve been 15-16 episodes long. Cuts have to be made and as long as they don’t comprise the story or pacing of the series, I have no problem with them.
“Why is Rudeus regressing/why did he relapse back into depression? He needs to get over it!!”
Aw yes, how dare the anime character you're trying to self-project upon have characteristics of a real person. You see, real people often don’t improve linearly. They regress, they fail, they self-destruct. This happens to a greater extent if that person has mental health issues, which, surprise surprise, Rudeus does. I honestly don’t understand how the realism of a character can be a negative point for a viewer.
“Where is my op with the cool backgrounds behind it? *Sigh* Another issue courtesy of lazy production!!”
First of all, the op works like that for the first 5 episodes, fuck you. Second of all, Ranoa is one place, and the content that played in the background for these ops mainly showcased the new environment in which the characters found themselves.