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No matter how emotional its copious amounts of death and suffering made you, it would be quite hard to argue there is much more value to Re:Zero than its spectacle. It is a master at manipulating the audience's feelings, and while it succeeds at entertainment and has one special little moment, Re:Zero fails at making the case that it is anything more than lavishly produced, yet cheap theatre.
The question is, is that enough for you?
It wasn't enough for me. Reviewer’s Rating: 5 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Veronin (100) Show allRead moreShow lessOpen Gift Report Dec 12, 2023 ZephSilver Not Recommended Ahh, the reviewer. The first line of defense to quell the flames of irrational thought and often the bearer of bad news for those of the general public. They're the Buzz Killingtons that take it upon themselves to blow the "no fun" whistle and send the partygoers back on the hype-train that they rode in on. It's a thankless job, one that doesn't reward anyone besides the smug satisfaction of the man with the whistle, tipping his top hat and waving "adieu" at the fanbase, outraged that someone had the audacity to bring an analytical lens to the "totally bitchin party, bruh!"
And as the seasonal . lineup ends and the hype-train chugs on to the next destination to start the cycle all over again, the reviewer, Mr. Buzz Killington, slaps his final verdict in the form of a nasty wall of diatribe, as he carries on his endless crusade to educate would-be viewers, one party foul at a time.

Berkeley, California: University of California Press. pp. 156–157. ISBN 9780520245655. ^ Poitras, Gilles (2004). Anime Essentials: Every Thing a Fan Needs to Know (4th ed.

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Mr. Inoue has taken the powerful Musashi who was sometimes called a 'beast' and drawn him as a vagabond. The artist brags about boldly challenging the national literary work of Eiji Yoshikawa, even so, the sense of speed that he creates is impressive. I send my applause to the artist for creating a new image of Musashi". [40][41] The same year, the series won the 24th Kodansha Manga Award in the general category. [42] Vagabond also received the Grand Prize of the sixth Tezuka Osamu Cultural Prize in 2002, and the North American version earned Inoue a nomination for the 2003 Eisner Award in the Best Writer/Artist category. [17] Critical response[edit] In early releases of the manga, MangaLife found Musashi appealing for his quest of strength and Inoue's detailed artwork despite its slow pacing. [43] They find the early journey of Musashi impressive due to the emphasis on violence over his mental development and his connections with Matahachi. [44] The eventual release of the sixth volume received more acclaim from the Manga Life for further developing Musashi's bushido, his acceptance of his weak point and how Matahachi also kept appearing despite the two still not meeting. [45] The Fandom Post was drawn out by the writing of Inoue when reading the first manga volume, praising its large amount of content and whether or not Musashi is still capable of being a true warrior when interacting with the monk Takuan. [46] A similar comment was given by ComicBookBin with the reviewer claiming that his impression of Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion. Retrieved August 31, 2018. ^ "Books Kinokuniya Sydney Removes 7 Manga After Lawmaker's 'Child Pornography' Complaint". Anime News Network. July 21, 2020. Archived from the original on July 21, 2020. Retrieved July 21, 2020. ^ その着せ替え人形は恋をする 4 (in Japanese). Square Enix. Archived from the original on April 17, 2021. Retrieved February 1, 2020. ^ "My Dress-Up Darling, Vol.