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En fin de compte, "One Piece" transcende les frontières du simple divertissement pour devenir une œuvre d'art narrative. Le foreshadowing subtil et les théories interminables témoignent de la grandeur de l'auteur et laissent présager une conclusion épique pour cette saga exceptionnelle.
Sans oublier que pour une oeuvre qui a plus de 25 ans au compteur, garder une certaine cohérence entre les différents indices de l'histoire relève presque de l'impossible. Chapeau Oda. sanji 2 mois avantTout simplement le meilleur manga de tous les temps. Oda est un GOAT. Vraiment chapeau 😊 pirateking99 2 mois avantWow, "One Piece" reste le roi incontesté du monde manga ! L'aventure infinie de Luffy et son équipage m'a accroché dès le début. Les mystères entourant le "One Piece" lui-même me tiennent en haleine à chaque chapitre. Oda sait vraiment comment construire un univers captivant ! Pseudo: Mail: Commentaire: 😊 😢 😃 😉 😛 😲 😎 😐 😕 😆 😘 😡 😈 😇 ❤️ 😗 😳 😑 😸 ✌️ 💩 🔥 👍 👎 👏 😍 🤦 Poster Commentaire Accueil Liste mangas Politique de confidentialité Disclaimer DMCA Termes d'utilisation © 2024 Manga Scan
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The main reason why most fans overlook this is because of how both feel like authentic children, unaware of the dangers in the world. The animation also helps with this, capturing the nuances and mannerisms one would expect from children. But remember that Seita is supposed to be a 14-year-old boy in the 1940’s, a time where he would be considered an adult capable of working for a living. He’s relatable to us because of how we would view someone of that age but comes across incompetent for someone from his time.
These issues stuck out like a sore thumb on second viewing, partly due to how simplistic the film feels in its presentation. Grave of the Fireflies is often seen as the Ghibli feature to break away from the conventional family-friendly films the studio has produced, and while it does deliver on an unflinching war film not suitable for all ages, it also just so happens to lack the whimsical spirit that gave those other films such striking personality. Takahata has his strengths, from his interest in realistic imagery to his sense of social responsibility as a director, yet here his style feels neutered to a point where little personality can be found in the directing. He’s not Miyazaki, but the film appears contempt in what it wants to achieve, never aiming for more than the core emotional attachment felt though the script. Each scene is carefully calculated, but never ambitious in their purpose. Even the cheerful moments only balance out the hell Seita and Setsuko are in, never acting as driving components for either character. The music also does little to help the experience move along, rarely ever effective in smoothing out transitions or amplifying sentiment in an authentic way.