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^ "Saint Seiya The Heavens-Overture- (Toei Animation Film List)". Toei Animation. Archived from the original on February 17, 2009. Retrieved August 30, 2009. ^ Yamauchi, Shigeyasu (2004). Saint Seiya Tenkai-hen Overture (DVD). Toei Animation. ^ "Discotek Announces DVD Release of Saint Seiya Movies (Updated)". Anime News Network. Archived from the original on July 20, 2019. Retrieved July 20, 2019.

The unique selling point of Kyokou Suiri is the namesake “made-up deductions” deconstruction of the murder mystery genre. And this is where the troubles with Undead Girl Murder Farce begin, it just doesn’t have a unique selling point. It’s set in the XIX century Europe, except it’s not really the XIX century Europe, but rather The League of Extraordinary Gentlemen cinematic universe, with Sherlock Holmes, Jack the Ripper, Arsene Lupin and so on appearing as characters. Which has been done to death. There is also the fact that the supernatural in this universe exists in the open, as an organic part of society, but the story barely explores this aspect. The series just doesn’t really do all that much, and what it does, it doesn’t do very well. Nothing illustrates this better than putting the titles of all these shows next to each other:
Bakemonogatari - Ghostory - a pun and a factual description of the content.
Kyokou Suiri - Made-up Deductions - also a factual description of the content.
Undead Girl Murder Farce / Cube x Cursed x Curious - this is just trying too hard to advertise the expected quirkiness of the genre without any meaningful substance of its own. It’s shallow and derivative. Like, the word "farce" has an actual meaning, and there is nothing in the show that fits it, it is not a farcical show, using this word for the name is just pretentiousness.

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After dodging many attacks, Ippo knocked Yamada down a second time. Much to Ippo's dismay, Yamada got up. Ippo got Yamada at the ropes and began attacking his guard. Ippo then blocked a body blow that sent him off his feet. With Ippo aiming punches at Yamada's head, he was hit by multiple body blows. Their exchanges ended when the referee got between them as the round ended. Ippo then witnessed Yamada hitting the rope in disappointment. In the corner, Ippo was told by Kamogawa, the three meanings to be a pro: to do any job with ease, to answer the customers demands, and to devote one's self to the fight. Ippo getting hit by the solar plexus blow. In the second round, Ippo began blocking his body to prevent the body blows that happened from the last round. Just as Ippo was about to counter a right hook that missed, his guard was broken by Yamada pushing Ippo's left side of his block with his opened hand. Cid Kagenou is *The Eminence in Shadow’s* attempt to make the “Rule of Cool” personified via the main protagonist.
Yet in all that time focusing on him, most of the ensemble gets left out in the lurch. The “Greek chorus,” or the series of women who serve under Cid in Shadow Garden, are the prime example. They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.
The more-prominent side characters of each arc do not fare much better. Sherry is reduced to little more than buttshot eye candy despite the great intelligence we are told that she has, all the while the show decides to relentlessly dump tragedy upon her.