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[22] Yukimura began serializing Vinland Saga in April 2005 in Kodansha's Weekly Shōnen Magazine, where it ran until October 2005. After a two-month hiatus, it resumed serialization in late December 2005 in the seinen manga magazine Monthly Afternoon, also owned by Kodansha. This switch was caused by Yukimura, who found he could not keep up a long-term weekly production schedule. [23] He sometimes works 18 hours as one of his techniques requires a lot of time. He stated that he creates and submits one page each day to the publisher. He also states how tens of thousands of people wish to work creating manga and the competition results in high-quality manga. [24] When he first started drawing, Yukimura expected the series to take 10 years to finish, but later gave an estimate of 14 years. He had calculated that there would be 20 volumes, with each part consisting of four volumes, with five volumes each; this amount later increased to over 22 volumes. From the beginning of the serialization, Yukimura was at a loss, wondering when he could write the actual arc of Vinland. Because he often had problems with handling the story,[25] Yukimura started drawing fully digitally from chapter 168 due to COVID-19 pandemic restrictions but continues to ink in analog before scanning and doing the finishing work digitally. [26] According to Yukimura, the series is divided into four story arcs.

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"ERASED/Boku dake ga Inai Machi Anime's 2nd Promo Unveils Asian Kung-Fu Generation's Opening Song". Anime News Network. Retrieved January 5, 2020. ^ Loo, Egan (December 10, 2015). "Asian Kung-Fu Generation, Sayuri Perform ERASED/Boku Dake ga Inai Machi Anime's Songs". Anime News Network. April 5, 2013. Archived from the original on April 7, 2013. Retrieved April 5, 2013. ^ "Jojo's Bizarre Adventure Part 3 TV Anime Slated for 2014". Anime News Network. [8][31] The opening animation was contributed to by the studio Madhouse. [32] A production committee to support the project was formed by Victor Entertainment's Shirō Sasaki, partnering with Tokuma Shoten and North American company Geneon Entertainment. [8] Watanabe acted as the series director, in addition to creating the project. Kobayashi, Sasaki, Sanae Mitsugi and Hideki Goto were credited as planners and executive producers,[33] and the producers were Takatoshi Hamano, Takashi Kochiyama and Tetsuro Satomi. [34] The story was composed by Shinji Obara and Yukihiko Tsutsumi of Office Crescendo, with scripts written by Obara, Dai Satō, Touko Machida, Keiko Nobumoto, Seiko Takagi, Ryota Sugi, and Watanabe. [8][33][34][35] Nakazawa wrote and storyboarded episode 15, being credited as Uwadan Shimofuwato in the former role.
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