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Transliteration: "Hontō no Kaibutsu" (Japanese: 本当の怪物)Kazuhisa ŌnoTatsuhiko UrahataSeptember 28, 2005 (2005-09-28)September 13, 2010 Some time after the events at Ruhenheim, Karl informs Schuwald that Tenma has been cleared of all charges and is now working for Doctors without Borders. Eva Heinemann informs Reichwein that she is now working as an interior designer and has overcome her anger at Tenma and her grief over Martin and gives him a scrapbook of clippings on Tenma. Suk, Vardemann, and Lunge pay their respects at Grimmer's grave where Lunge tells them that he is now a professor at the police academy and leaves a cold beer at the graveside. Otto Heckel gives information to Dieter for Tenma on the whereabouts of the twins' mother. Tenma visits her in Southern France and she tells him that she loved the father of her twins and wished revenge on those who killed him through her children.
But unlike most shōnen manga, he called Hunter × Hunter "incredibly dense. " Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone. [135] Reviewing the first story arc, Chris Sims of ComicsAlliance called Hunter × Hunter one of the most "fun, ridiculous, and ludicrously violent comics I've ever read. " He stated that while it has every stereotypical idea about shōnen manga in force, what sticks out the most is the violence. Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [136] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [137][138] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [139] While Rika Takahashi of EX.
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