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Dragon Ball Z [TV] Nekosama gave it a 10. Goku is back with his new son, Gohan, but just when things are getting settled down, the adventures continue.
Whether he is facing enemies such as Frieza, Cell, or Buu, Goku is proven to be an elite of his own and discovers his race,
Saiyan and is able to reach Super Saiyan 3 form. 18344 users
added this. Dragon Ball [TV] Nekosama gave it a 10. Bulma is a girl in search of the mystical dragonballs that when brought together grant any wish. In her search she bumps into the owner of one of these balls, a strange boy named Goku. 8751 users added this. Gundam X [TV] Nekosama gave it a 10. Gundam X is the story of the survivors of the Seventh Space War who try to eke out a living within the ruins of their civilization. "Vultures", scavengers of war material and ruined cities, roam the wasted Earth.
Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other. Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness. Cid is seemingly incapable of
going ten minutes without making a remark akin to, “At a time like this, X would happen!” or “Doing Y would be so awesome!” These moments are meta humor at its most flaccid, requiring no creativity to make its point. The goal is to be funny and double down by committing what’s tantamount to beating a dead horse, when being
unfunny and doubling down only succeeds in compounding the problem.
The show’s insistence on its meta humor tries to function both comedically and dramaturgically. In having Cid make all these remarks, it attempts to paint him as being more keenly aware of what is transpiring, both in the heat of the moment and in the overarching saga that plays out in the overall world, bolstered by his sheer magical and physical power. In emphasizing the brooding aesthetic, punctuated by its dark colors and mood lighting, as well as the occasional action phrase (I will indeed give props to the line “I am atomic,” as it was as grand and dumbly epic as Cid himself thought it to be). Cid is portrayed as being consistently “cool” and slick.
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