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Uproxx. Archived from the original on 4 July 2018. Retrieved 6 May 2017. ^ "Animerica". Animerica: Anime & Manga Monthly. 1 (4): 18.

[98][99] The anime series saw similar success and its home media made appearances on Oricon's weekly selling charts. [100][101] In April 2014, No Game No Life was one of the top recorded anime series on Sony's Torne;[102] a poll by AT-X ranked the series as one of 2014's top anime series. [103] Anime News Network had four editors review the first episode of the anime: Carl Kiminger, Rebecca Silverman, Theoron Martin, and Hope Chapman. [104] Opinions summarized: Kimlinger enjoyed the premise and the concepts of games as battles; Silverman and Martin disliked the characters; and Chapman expressed absolute disdain, writing "nothing has made me roll my eyes, gag, or feel more irrationally angry this season than this insulting self-insert pandering trash heap". Carl Kimlinger continued the series, and published a positive review for the anime. [105] He wrote that the premise presented many flaws but were balanced out by other aspects: Sora and Shiro's "over-powered hero" archetype is balanced out by their flawed lifestyles, motives, and their "visible delight in crushing their enemies"; Stephanie Dola's mistreatment with gags and Sora and Shiro's growing respect towards her; and the harem aspect with Sora's apathy and interesting female characters. Regardless, Kimlinger praised the plot's "big games", calling them the reason to watch the series and described them as "steeped in trickery and strategy"; he added that despite knowing the protagonists would win, the fun is seeing how they do it. Kimlinger wrote the over-saturation art style will be an acquired taste for most viewers and praised how the animation really shines during the "big games", calling it an impressive display of fluidity and timing. [105] Kotaku's Richard Eisenbeis was also positive towards the series, praising the protagonists' dynamic, echoed Kimlinger's sentiments about the games, liked the animation, but noted his dislike for fan service featuring Shiro. [106] He also ranked the series as one of the top five anime series of 2014, and recommended it for viewers who like smart characters and gamer humor. [107][108] IGN praised the character dynamics and questioned the amount of fan service.

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[2][23][24] The film's screenplay was written by Mamoru Sasaki. It starred Taizō Sayama as Tada and the Takarazuka Revue's Haruka Yamashiro as Frol. [2] Anime film[edit] A 91-minute anime film adaptation of the manga was released in Japan on November 1, 1986. [25][26] It was licensed by Central Park Media in North America and released on VHS with English subtitles in the early 1990s. [27] It was re-released on VHS with a newly produced English dub in 1996 and on DVD with dual language audio tracks in 2004. [28] Central Park Media discontinued their home video release in 2004. [29] The New York company MYC & Associates liquidated the anime license in 2009. [30] Cast[edit] Tadatos Lane (Tada): Akira Kamiya (Japanese), Curtis Jones (English) Frolbericheri Frol (Frol): Michiko Kawai (Japanese), Wendee Lee (English) King Mayan Baceska (His Majesty): Hideyuki Tanaka (Japanese), Steven Blum (English) Doricas Soldam IV (Fourth): Toshio Furukawa (Japanese), David Hayter (English) Ganigus Gagtos (Ganga): Tesshō Genda (Japanese), Dean Elliot (English) Amazon Carnias (Amazon): Hirotaka Suzuoki (Japanese), Steven Blum (English) Vidminer Knume (Knu): Norio Wakamoto (Japanese), Joe Romersa (English) Colonel Glenn Groff (Mule): Michihiro Ikemizu (Japanese), Henry Malloy (English) Dolph Tasta (Red nose): Kōzō Shioya (Japanese), Steven Blum (English) Toto Ni (Toto): Tarako (Japanese), Dorothy Elias-Fahn (English) Chaco Kacka (Chaco): Tsutomu Kashiwakura (Japanese), Dean Allen (English) Staff[edit] Director: Satoshi Dezaki, Tsuneo Tominaga [ja] Executive Producer: Hidenori Taga [ja] Original Story: Moto Hagio Planning: Shigekazu Ochiai [ja] Screenplay: Toshiaki Imaizumi, Katsumi Koide Animation Director: Keizo Shimizu Character Design: Akio Sugino, Keizo Shimizu Effects Director: Kenichi Maejima Mechanical Design: Yōichi Yajima Art Director: Junichi Higashi [ja] Cinematography: Nobuo Koyama Audio Director: Shigeharu Shiba Music Director: Zen Oikawa Music: Yasuhiko Fukuda Theme Song: "Boku no Honesty", Shinichirō Kawakami [ja] Producer: Minoru Kotoku Production: Magic Bus, Kitty Films Stage plays[edit] They Were Eleven has been adapted into several stage plays in Japan. The first, performed by the all-male acting troupe Axel [ja], ran from June to July 2004;[31] the second, performed by Axel, ran from December 2008 to January 2009;[32] the third, performed by the all-male acting troupe Studio Life [ja], ran from February to March 2011;[33][34] the fourth, performed by Studio Life, ran throughout January 2013;[1][35] and the fifth, performed by Studio Life, ran from May to June 2019. [36][37] The sequel manga series has also been adapted into two stage plays in Japan: one performed by Studio Life, which ran from February to April 2013,[1][35] and another performed by the female idol group Morning Musume '16, which ran throughout June 2016. [18][38][39] Audio drama[edit] An audio drama adaptation of the manga was produced by the drama CD label E-Star and released in Japan on September 25, 2013.