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Martin Klein Mr. Me-Mania Voice Wendee Lee Rumi Voice Jamieson Price Murano Voice Lia Sargent Eri Ochiai Voice Satoshi Kon Director Marvin Gleicher Executive Producer Laurence Guinness Executive Producer Hiroaki Inoue Producer Haruyo Kanesaku Producer Masao Maruyama Producer Yutaka Maseba Producer Takeshi Washitani Producer Masahiro Ikumi Music Hisao Shirai Cinematographer Nobutaka Ike Art Director Show all Cast & Crew Critic Reviews for Perfect Blue All Critics (54) | Top Critics (17) | Fresh (45) | Rotten (9) Full Review. Cody Corrall Chicago Reader Full Review.

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Before leaving, Ippo told Umezawa how he was worried about Itagaki facing Imai and felt that he could not tell Itagaki about what gave him trouble before as Umezawa suggested. Ippo suggests for Itagaki to enter an in-fight with Imai. Later, Ippo sparred with Itagaki in his last spar before his fight against Imai. Ippo was immediately caught off guard by Itagaki's improved speed and his porcupine-like punches, however, Ippo could read his punches. The spar ended without a knockout, and Ippo claimed that Itagaki was well prepared. Afterwards, Ippo went to the rooftop, where Takamura suggested for him to tell Itagaki the truth that he would lose by knockout to Imai if he does not change his strategy. Itagaki overheard part of the conversation and questioned Ippo. Takamura ended up telling Itagaki, and Ippo added that he believed that Itagaki should enter an in-fight with Imai to throw off his rhythm as it troubles Ippo when it is done to him. Ippo celebrating Itagaki's East Rookie King Tournament victory. When Itagaki's match against Imai arrived, Ippo went to the Kōrakuen Hall and watched the match. After the fifth round, Itagaki became unconscious while sitting down at the corner. "[75] She also noted how Tetsuo and Kaneda seem like real teenage boys in the manga, not generic action figures like in the film's "grossly" simplified depiction of their relationship. Although stating that Akira's plot was still as topical as ever in the year 2009, Dacey felt that the art had not aged as gracefully. [75] In his reviews of the first three volumes of Akira, Mark Pellegrini of AIPT Comics strongly praised Otomo's art as "simple, but very lively" and called him a master at drawing architecture. [76][77] Pellegrini reviewed the series by making many comparisons to the animated film adaptation, calling the characterizations in the manga both "better and on par" with those in it. [76] Anime News Network had four writers review Kodansha USA's 35th Anniversary box set of Akira. Austin Price and Lynzee Loveridge both gave it a perfect 5 out of 5 rating. [78] Loveridge wrote that "Akira still feels incredibly relevant 35 years later. [78] Giving it a three 1⁄2 star rating, Amy McNulty praised Otomo's art and setting. However, she called the characterizations weak and concluded that although Akira "does little to appeal to those who aren't interested in sci-fi, paranormal, or dystopian tales [.
Cover insert for Samurai Shodown II. Bust-A-Move was never released for the home NeoGeo, but that doesn't prevent people from buying illicit conversions of it. Sammy released Viewpoint for the NeoGeo in 1994. Promotional flyer for Sammy's Viewpoint. Advertisement for King of Fighters '95. Samurai Shodown RPG was never translated into English. Metal Slug, Kizuna Encounter, and Ultimate 11. The three rarest NeoGeo AES games. An advertisement for the Hyper NeoGeo 64. Advertising page for Samurai Shodown 64 taken from the Hyper NeoGeo 64 booklet passed out at the 1997 AOU show. Tongue-in-cheek advertisement for the NeoGeo Pocket Color in the UK.