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^ a b "Hirohiko Araki Lecture Part 3: Questions and Answers with Araki-Sensei". Comipress. Archived from the original on November 6, 2015. Retrieved August 3, 2014. ^ "JoJo's Bizarre Adventure: Part 2 GN 1 - Review". Anime News Network.

Craig attributes Sailor Moon's international success to three things. First was the show's magical girl transformation of ordinary characters into superheroes. Second was the ability of marketers to establish the international audience's connection to characters despite their culture being Japanese. The third was that the main superhero was female, something which was still rare in pop culture in countries like the United States during the 1990s. [143] In his 2007 book Manga: The Complete Guide, Jason Thompson gave the manga series three stars out of four. He enjoyed the blending of shōnen and shōjo styles and said the combat scenes seemed heavily influenced by Saint Seiya, but shorter and less bloody. He also said the manga itself appeared similar to Super Sentai television shows. Thompson found the series fun and entertaining, but said the repetitive plot lines were a detriment to the title, which the increasing quality of art could not make up for; even so, he called the series "sweet, effective entertainment. "[135] Thompson said although the audience for Sailor Moon is both male and female, Takeuchi does not use excessive fanservice for males, which would run the risk of alienating her female audience. Thompson said fight scenes are not physical and "boil down to their purest form of a clash of wills", which he says "makes thematic sense" for the manga. [144] Comparing the manga and anime, Sylvain Durand said the manga artwork is "gorgeous", but its storytelling is more compressed and erratic and the anime has more character development.

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"[49][147] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [11] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [147] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [12][13] 2011 Series Madhouse's 2011 adaptation has been met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter × Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[148] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America. However, there is so much more to Kemono Friends than just that.
The biggest draw of the show is that it has some of the best world-building I have ever seen in anime. Kemono Friends truly understands "show, don't tell. " As the series goes on, viewers start to learn more and more about the weird and mysterious world this seemingly simple story takes place in. If you're reading this review, it's probably too late for you now, but the theory-crafting and discussions had around Kemono Friends in Japan and the western world were so much fun. By drip-feeding us information about the world, fans were able to come together week to week to discuss their new ideas and knowledge.