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Anime News Network. Archived from the original on December 8, 2021. Retrieved December 7, 2021. ^ Pineda, Rafael Antonio (December 6, 2022). "Spy×Family Tops Da Vinci Manga Ranking". Anime News Network. Archived from the original on February 3, 2023. Retrieved August 9, 2023. ^ "This Month's Viz-In : December 2001". Viz Media. Archived from the original on December 22, 2001.

k. a "Can I Kiss You Every Day?" That manga exploring childhood friends who force themselves upon one another in a rather pushy relationship would serve as the antithesis to grow into the author's latest manga that has been consistently firing shots of unpleasantry: 2018's Ojou to Banken-kun, which, for better or for worse, is twice the force and quadruple the frustrations, thinking that forced relationships will make for a rather spicy story. If that was the intent of the author, he/she succeeded, but the story itself is quite the dumpster fire of a garbage mess that it is.
Do you remember age-gap relationships, like, say, Summer 2022's Kumichou Musume to Sewagakari a. k. a The Yakuza's Guide to Babysitting? That was a show that had a Yakuza family as the setting, between a normal Yakuza right-hand man and the boss's precious child daughter as a means to teach him how to live life the right way (that's not child grooming, by the way). In the context of Ojou no Banken-kun, take that premise and push the age button into high school territory, while incorporating the things that would rile up the Shoujo market: a Yakuza Ikemen with the normal boss's daughter, who just wants to be a typical commoner girl. That's the story of Isaku Senagaki, having been taken care of by her gangster grandfather when her parents died in an accident and, even worse, being shunned by the people around her for being the daughter of a Yakuza boss. Fast forward to high school, and the 15-year-old wants to be free of her Yakuza familial constraints, to live a normal life and bond natural love.

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[6] Yasuda explained that brown is more difficult to use than black because it does not contrast as well as black. [6] Grave of the Fireflies was Takahata's first animated film produced with Studio Ghibli. [11] Takahata insisted on working with well known animators Yoshifumi Kondō who was working for Nippon Animation at the time and Yoshiyuki Momose. [12] Both animators played a pivotal role in creating fluid, realistic animations of the characters in the animation. [13][14] Takahata drew from his personal experience to create a realistic depiction of the air raid on Okayama. In an interview, he criticized TV shows and movies that had recreated images of incendiary bombs, "They include no sparks or explosions, I was there and I experienced it, so I know what it was like. "[15][16] The film features Niteko-ike pond (ニテコ池), which is described as the "birthplace" of the novel and where Nosaka conducted his daily routines of dishwashing and personal ablutions. Notably, during the final days of the Pacific War, Nosaka, then 14 years old, sought refuge with his younger sister-in-law in a relative's house and nearby bomb shelters near the pond. [17][18] The location and background in the film is based on a style created by 18th century Japanese artist Hiroshige and his follower Hergé, who created Tintin. [19] Film critic Roger Ebert examines the contrast of the style of the background in comparison to the cartoonish animation of the characters. He claims that there is an unusual amount of detail in the evocative landscape, while the characters are a take on the modern Japanese animation with childlike bodies and enormous eyes. At Riku's request, she names herself Schwarzer, which Riku shortens to Schwi. He then takes her back to the colony where they are disguised as lovers. During the year they are together, Riku overcomes his emotional trauma while Schwi becomes more human. Following the destruction of their colony, Riku forms a group to end the war and marries Schwi. The group performs several espionage missions, forcing the warring species into a stalemate. Riku plans to harvest the energy from the battle, following the broken stalemate, in order to materialize and claim an artifact called the Suniaster; whoever possess it will have the powers of god.